Hallelujah Junction: Composing An American Life

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SKU: DADAX0374281157
ISBN : 9780374281151
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Hallelujah Junction: Composing An American Life

Hallelujah Junction: Composing An American Life

John Adams is one of the most respected and loved of contemporary composers, and "he has won his eminence fair and square: he has aimed high, he has addressed life as it is lived now, and he has found a language that makes sense to a wide audience" (Alex Ross, The New Yorker). Now, in Hallelujah Junction, he incisively relates his life story, from his childhood to his early studies in classical composition amid the musical and social ferment of the 1960s, from his landmark minimalist innovations to his controversial "docu-operas." Adams offers a no-holds-barred portrait of the rich musical scene of 1970s California, and of his contemporaries and colleagues, including John Cage, Steve Reich, and Philip Glass. He describes the process of writing, rehearsing, and performing his renowned works, as well as both the pleasures and the challenges of writing serious music in a country and a time largely preoccupied with pop culture.Hallelujah Junction is a thoughtful and original memoir that will appeal to both longtime Adams fans and newcomers to contemporary music. Not since Leonard Bernstein's Findings has an eminent composer so candidly and accessibly explored his life and work. This searching self-portrait offers not only a glimpse into the work and world of one of our leading artists, but also an intimate look at one of the most exciting chapters in contemporary culture.From Publishers WeeklyStarred Review. Best known for his groundbreaking musical worksNixon in China andThe Death of Klinghoffer, Adams helped shape the landscape of contemporary classical music. Combining the narrative power of opera, the atonal themes of 20th-century classical music, the spooky modulations of jazz and the complex rhythms of the Beatles and the Band, Adams created a new music that could express the fractiousness of the political scene of the 1960s and 1970s. In this entertaining memoir, Adams deftly chronicles his life and times, providing along the way an incisive exploration of the creative process. A precocious musician, Adams began playing clarinet in the third grade, and, after hearing his teacher read Mozart's biography, tried his hand at composing music. During his undergraduate years at Harvard, he threw himself into performing and conducting when his own inadequacies as a composer began to dawn on him. By his final year at Harvard, however, the chaos of the late 1960s and the creative turbulence of the music scene drove him back to composing. After two years in graduate school, Adams set out for California, where he taught numerous composition classes and private clarinet lessons while working on his own music and with a who's who of the music world, from Cage and Leonard Bernstein to Philip Glass and Steve Reich. Adams's searingly introspective autobiography reveals the workings of a brilliant musical mind responsible for some of contemporary America's most inventive and original music.(Oct.)Copyright

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