Murder Most Foul: The Killer And The American Gothic Imagination

Murder Most Foul: The Killer and the American Gothic Imagination

ReviewThe invention of [true-crime] detective stories is often ascribed to Edgar Allan Poe, particularly in The Murders in the Rue Morgue, published in 1841. In Murder Most Foul, Karen Halttunen demonstrates that a longer view is required. Her book is a spirited and lively account, generously sprinkled with compelling anecdotes of grisly yet intriguing murders, murder sites and executions, accompanied by explicit contemporary illustrations. Beginning in the seventeenth and early eighteenth centuries, she traces how accounts of murders changed from being seen as evidence of sin and evil to a more imaginatively complex perception of the murderer as a monster of Gothic terror...[Her] argument has a wide and expansive force.--Markman Ellis (Times Literary Supplement)[Murder Most Foul] analyzes three centuries of American murder narratives, from execution sermons delivered in colonial America to the recent movies Seven and Dead Man Walking. Halttunen makes a convincing argument that how we view murder depends very much on how we view murderers--and ourselves...This is a thorough, scholarly, well-written work, intelligently argued and full of juicy examples of over-the-top Victorian journalism, on which Halttunen draws for her accounts of certain notorious murders and for contemporaneous reaction to the crimes. Halttunen amply demonstrates that current American culture's avid interest in murder has important cultural and spiritual antecedents. Weaving examples and analysis together into a very readable whole, Halttunen manages neither to condemn nor to condone the various moralities she writes about, leaving readers free to make up their own minds about the usefulness of a murder-saturated popular imagination--a valuable achievement indeed.--Ellen McGarrahan (San Francisco Examiner & Chronicle)This is a bold and imaginative study of what the jacket describes as a "treasure trove of creepy popular crime literature." Halttunen's book is based on her close study of brochures, pamphlets, and narrative accounts of murders and murder trials in the United States, from the colonial period roughly to the middle of the 19th century...As you can imagine, this book is fun to read; and it is genuinely enlightening. It is, in many ways, cultural history at its best. Halttunen is a brilliant reader of texts...[and her] imagination, her interpretive skills, are enormously fruitful...[Murder Most Foul] is excellent and enlightening (like all of Halttunen's work); and my basic complaint is that I wanted more. In any event, I recommend it highly to everyone interested in the history of law, crime, and the American soul.--Lawrence M. Friedman (Law and Politics Book Review)[This is an] absorbing piece of cultural history and analysis...By tracing changes in American literary representations of the killer, Halttunen chronicles a change in the way we, as a culture, come to terms with violent death. In doing so, she maps the evolution of the moral and religious beliefs of our society. Meticulously researched and compellingly argued, this book represents a solid addition to any American literature collection.--Mike Benediktsson (Library Journal)An involving account of the shifting social constructions and understandings of murder in pre-20th century America. Drawing on a wealth of sources, including confessions, trial accounts, and court documents, historian Halttunen traces how the burgeoning romantic movement--and particularly its most extreme manifestation, the gothic--utterly transformed the Puritan conception of crime and punishment. She holds that the Puritan belief in predestination meant that "the early American murderer was regarded as a moral representative of all sinful humanity, and was granted an important spiritual role"...With the arrival of the gothic/romantic, Halttunen convincingly argues, murder came to be seen as a monstrous aberration, something outside the pale of ordinary humanity...[Murder Most Foul] is formidably resea