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Fourteen sculptures of the distinguished Central Asian artist Erkin Mergenov constitute the subject matter of this book. The creative force of the sculptor produced the artifacts, which then inspired historians, theologians, philosophers and literary scholars to produce 'verbal' responses and meditations on original themes. The texts, which exemplify different crossdisciplinary approaches to art and sculpture, cover the 30year span of the artist's career from SelfPortrait (1971) to Premonition (2001).
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