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A New History Of Japanese Cinema-used
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Cinema, Which First Arrived In Japan In 1896 With The Kinetoscope Prototype, Came At The Very Time That Japan Was Transforming Its Economic Base And Society Into That Of A Major International Power. The First Cinema, The Asakusa Denkikan, Was Opened In Tokyo In 1903 And Within Thirteen Years Three Hundred Cinemas Had Sprung Up Throughout The Country.In A New History Of Japanese Cinema: A Century Of Narrative Film, Isolde Standish Focuses On The Historical Development Of Japanese Film. She Details An Industry And An Art Form Shaped By The Competing And Merging Forces Of Traditional Culture And Of Economic And Technological Innovation. Adopting A Thematic, Exploratory Approach, Standish Links The Concept Of Japanese Cinema As A System Of Communication With Some Of The Central Discourses Of The Twentieth Century: Modernism, Nationalism, Humanism, Resistance, And Gender.After An Introduction Outlining The Earliest Years Of Cinema In Japan, Standish Demonstrates Cinema'S Symbolic Position In Japanese Society In The 1930Sas Both A Metaphor And A Motor Of Modernity. Moving Into The Late Thirties And Early Forties, Standish Analyses Cinema'S Relationship With The Statefocusing In Particular On The War And Occupation Periods. The Book'S Coverage Of The Postoccupation Period Looks At 'Romance' Films In Particular. Avantgarde Directors Came To The Fore During The 1960S And Early Seventies, And Their Work Is Discussed In Depth. The Book Concludes With An Investigation Of Genre And Gender In Mainstream Films Of Recent Years.In Grappling With Japanese Film History And Criticism, Most Western Commentators Have Concentrated On Offering Interpretations Of What Have Come To Be Considered 'Classic' Films. A New History Of Japanese Cinema Takes A Genuinely Innovative Approach To The Subject, And Should Prove An Essential Resource For Many Years To Come.Includes An 8Page Color Plate Section And An 8Page Black And White Plate Section.
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- Q: What is the main focus of 'A New History of Japanese Cinema'? A: 'A New History of Japanese Cinema' by Isolde Standish focuses on the historical development of Japanese film, detailing the industry's evolution in the context of traditional culture and modern influences.
- Q: What time period does the book cover in Japanese cinema? A: The book covers the history of Japanese cinema from its introduction in 1896 through to the present, including significant periods such as the 1930s, the war and occupation years, and the post-occupation period.
- Q: How does the author approach the subject of Japanese cinema? A: Isolde Standish adopts a thematic and exploratory approach, linking Japanese cinema to major discourses of the twentieth century like modernism, nationalism, and gender.
- Q: What type of binding does this book have? A: 'A New History of Japanese Cinema' is available in hardcover binding, which provides durability and a professional presentation.
- Q: How many pages are in the book? A: The book contains a total of 434 pages, making it a comprehensive resource on the subject of Japanese cinema.
- Q: Are there any visual elements included in the book? A: Yes, the book includes an 8-page color plate section and an 8-page black and white plate section, enhancing the reader's experience with visual context.
- Q: Who is the author of 'A New History of Japanese Cinema'? A: The author of the book is Isolde Standish, a scholar recognized for her work in film history and criticism.
- Q: What condition is the used book in? A: The book is classified as a 'Used Book in Good Condition', indicating that it has been previously owned but is still in satisfactory shape for reading.
- Q: When was 'A New History of Japanese Cinema' published? A: The book was published on April 1, 2005.
- Q: Does the book discuss contemporary Japanese films? A: Yes, the book concludes with an investigation of genre and gender in mainstream films of recent years, making it relevant for understanding contemporary Japanese cinema.