Title
A Sonnet From Carthage: Garcilaso De La Vega And The New Poetry Of Sixteenthcentury Europe,Used
Sold by Ergodebooks, an authorized reseller.
Returns accepted within 30 days | support@ergodebooks.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 3–5 business days
- Estimated Delivery: 6–10 business days after dispatch
- Double-boxed, fully insured & discreetly packaged
- Tracking number sent via email once dispatched
Returns & Refund
Returns accepted within 30 days of delivery.
Damaged or Defective Item
Free return shipping + replacement or full refund
Wrong Item Received
Free return shipping + replacement or full refund
Change of Mind
Return shipping at customer's expense · 25% restocking fee applies
Payment Option
In 1492 the Spanish humanist Antonio de Nebrija proclaimed that 'language has always been the companion of empire.' Taking as his touchstone a wonderfully suggestive sonnet that Garcilaso de la Vega wrote in 1535 from the neighborhood of ruined Carthage in North Africa, Richard Helgerson examines how the companionship of language and empire played itself out more generally in the 'new poetry' of sixteenthcentury Europe. Along with his friend Juan Boscn, Garcilaso was one of the great pioneers of that poetry, radically reforming Spanish verse in imitation of modern Italian and ancient Roman models. As the century progressed, similar projects were undertaken in France by Ronsard and du Bellay, in Portugal by Cames, and in England by Sidney and Spenser. And wherever the new poetry emerged, it was prompted by a sense that imperial ambitionthe quest to be in the present what Rome had been in the pastrequired a vernacular poetry comparable to the poetry of Rome.But, as Helgerson shows, the new poetry had other commitments than to empire. Though imperial ambition looms large in Garcilaso's sonnet and others, by the end of the poem Garcilaso identifies not with Rome but with the Carthaginian queen Dido, one of empire's legendary victims. And with this startling shift, which has its counterpart in poems from all over Europe, comes one of the most important departures the poem makes from its apparent imperial agenda.Addressing these rival concerns as they arise in a single sonnet, Richard Helgerson provides a masterful and multifaceted image of one of the most vital episodes in European literary history.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.