A Victorian Naturalist: Beatrix Potter's Drawings from the Armitt Collection,Used

A Victorian Naturalist: Beatrix Potter's Drawings from the Armitt Collection,Used

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One of the most unusual collections of Beatrix Potter's art is held by a small trust in the English Lake District. Beatrix Potter became a member of the Armitt Library in Ambleside, Cumbria, shortly after her marriage in 1913. At this time she was already famous as the creator of Peter Rabbit, but the paintings she donated to the Armitt Library date from the period before she had begun to produce children's books and are on a very different subject. These studies of fossils, archaeological finds, mosses and lichens, microscope drawings and, most importantly, the exceptionally fine fungus paintings comprise a remarkable body of scientific illustration.This book is introduced by Eileen Jay, Honorary President of the Armitt Trust, who describes how the Armitt Library was formed through the influence of a group of gifted and intellectual people and specifically through the achievements of the three talented Armitt sisters. Beatrix Potter strongly approved of the Armitt sisters' aims and ideals, particularly their views on the study of natural history and countryside conservation. The pictures she donated to the Library reflect their shared interests.Few details had been known about Beatrix Potter's scientific work until the discovery by Dr. Mary Noble of a series of letters between Beatrix and Charles McIntosh, the celebrated Scottish naturalist. In this book Mary Noble has used the correspondence between the two to explain and annotate the paintings. The letters also reveal how Beatrix battled to have her work recognized by the authorities of the day. The humour and spirit with which the young Beatrix Potter 'took on' the maledominated scientific establishment makes this a delightful story, told here in its entirety for the first time.The book ends with an appraisal of the paintings themselves by Anne Hobbs, curator of the Beatrix Potter collection at the Victoria and Albert Museum. She demonstrates how, as in all Beatrix Potter's work, imagination inspired her scientific observation so that her botanical drawings are 'portraits with personality' and truly works of art.

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Shipping
We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.

Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.

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Warranty

We provide a 2-year limited warranty, from the date of purchase for all our products.

If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.

This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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Frequently Asked Questions

  • Q: What is the main focus of 'A Victorian Naturalist'? A: 'A Victorian Naturalist' highlights Beatrix Potter's scientific illustrations, including studies of fossils, mosses, lichens, and fungus paintings, showcasing her artistic talents beyond children's literature.
  • Q: Who is the author of this book? A: The book is authored by Eileen Jay, who is also the Honorary President of the Armitt Trust.
  • Q: What type of illustrations can I expect in this book? A: You can expect a variety of scientific illustrations, including detailed microscope drawings and exquisite fungus paintings, reflecting Beatrix Potter's keen observation of nature.
  • Q: Is this book suitable for children? A: While the book features Beatrix Potter's art, it is primarily aimed at adults and those interested in natural history and art, rather than a children's audience.
  • Q: What condition is the book in? A: The book is listed as used but in good condition, indicating that it may show some signs of wear but is still fully functional and readable.
  • Q: When was this book published? A: The book was published on October 1, 1992.
  • Q: Does this book include any letters or correspondence? A: Yes, the book includes correspondence between Beatrix Potter and Charles McIntosh, providing insight into her scientific endeavors and work.
  • Q: How many pages does the book have? A: The book contains a total of 192 pages.
  • Q: What is the binding type of this book? A: The book is a hardcover edition, which offers durability and a more premium feel.
  • Q: Is there any appraisal of the paintings included in the book? A: Yes, the book concludes with an appraisal of the paintings by Anne Hobbs, curator of the Beatrix Potter collection at the Victoria and Albert Museum.