Across The Layers: Poems Old And New,Used

Review Goldbarth, whose Heaven and Earth: A Cosmology won the 1992 National Book Critics Circle Award, is a poet of prodigious giftschief among them dazzling intelligence, a passion for language, and a positively Rabelaisian wit and erudition. This remarkable collection includes 'Different Fleshes,' a booklength 'novelpoem' (first published in 1979) that is set in smalltown Texas and Paris; twentytwo poems of widely varying style and length; and 'Dual,' an essaypoem that deals with photographer Diane Arbus and his own 'Daddy Irv,' a paintbynumbers artist. A unifying theme of sorts here is filial affection: 'Before the slaver,/ shagend, hunker and howl/ beasts lifted themselves on two feet into/ my fathers, my fathers/ wrote poems.' Highly recommended. Library Journal Product Description When Albert Goldbarth's Heaven and Earth: A Cosmology received the 1992 National Book Critics Circle Award, the citation called it 'a dazzling, delirious book as full of zest and joy as it is prodigal in the sweep of its learning and the warmth of its affections: Goldbarth is manna in the desert, a cure for what ails our poetry'. Now Goldbarth offers Across the Layers: Poems Old and New, which allows the poet to reconsider recent and previously published work in a continuum of wide stylistic variety and yet deep unifying concerns.The collection opens with his booklength 'novelpoem' Different Fleshes, a serious romp through smalltown Texas and gay Paree in the twenties, and closes with the 'essaypoem' 'Dual', a study of both intimate filial affections and the risktaking photographs of Diane Arbus. Between these two major works are poems that range from a twelveline lyric meditation on loss and continuity to a thirtyfourpage narrative adventure of life on the road with a band of antique radio collectors; from poems in autobiographical voice to a chorale spoken by Walt Whitman's imagined children; from the world of Miss Aluminum Siding to the rigorous vision of Georgia O'Keeffe; from an antic litany of comicbook superheroes to a dark look at government espionage on the homefront.Connecting and further vivifying this surface expanse are shared explorations in the uses of memory, in the bittersweet sounding of elegy, and in patterns and balances on the cosmic scale as registered by small moments of pleasure and pain twinned in individual lives. From the Back Cover When Albert Goldbarth's Heaven and Earth: A Cosmology received the 1992 National Book Critics Circle Award, the citation called it 'a dazzling, delirious book as full of zest and joy as it is prodigal in the sweep of its learning and the warmth of its affections: Goldbarth is manna in the desert, a cure for what ails our poetry'. Now Goldbarth offers Across the Layers: Poems Old and New, which allows the poet to reconsider recent and previously published work in a continuum of wide stylistic variety and yet deep unifying concerns. The collection opens with his booklength 'novelpoem' Different Fleshes, a serious romp through smalltown Texas and gay Paree in the twenties, and closes with the 'essaypoem' 'Dual', a study of both intimate filial affections and the risktaking photographs of Diane Arbus. Between these two major works are poems that range from a twelveline lyric meditation on loss and continuity to a thirtyfourpage narrative adventure of life on the road with a band of antique radio collectors; from poems in autobiographical voice to a chorale spoken by Walt Whitman's imagined children; from the world of Miss Aluminum Siding to the rigorous vision of Georgia O'Keeffe; from an antic litany of comicbook superheroes to a dark look at government espionage on the homefront. Connecting and further vivifying this surface expanse are shared explorations in the uses of memory, in the bittersweet sounding of elegy, and in patterns and balances on the cosmic scale as registered by small moments of pleasure and pain twinned in individual