Title
African Art At The Harn Museum: Spirit Eyes, Human Hands
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Insightful And Profound.Arthur P. Bourgeois, Governors State University, University Park, IllinoisMore Than Just Another Exhibition Catalogue. . . . The Conceptual Framework And Orientation Of The Essay Are Original. [Poynor Suggests] The Complexity Of African Religious Beliefs And The Diversity Of Roles Art Plays In Their Manifestation.Barbara Frank, Sunystony Brookwith Dramatic Color And Blackandwhite Photographs Of Ninetythree Pieces Of Art, African Art At The Harn Museum Introduces The Notable Collection Of West African Art From The Samuel P. Harn Museum Of Art.In The Traditional View Of Many Africans, The Spiritual And Temporal Worlds Depend Upon Each Other For Companionship And Material Wellbeing. As The Inhabitants Of Either Realm Cross And Recross Their World Boundaries, Art Objects Function As Intimate Links Between The Two Domains, Allowing Both Spirit And Human To See And To Manipulate Each Other. This Work Specifically Addresses The Role Of The Art Objecta Bowl From Cameroon, A Mask From Burkina Faso Or Sierra Leone, An Ancestral Altar From Nigeria, A Fertility Figure From Ghanaas A Medium Through Which Each World Gains Entrance Into The Other.Poynor'S Essay Presents Each Work In Its Geographic And Cultural Context. Line Drawings And Abundant Field Photographs Enhance The Text And Support The Idea That The Objects Assist Communication Between Two Worlds.Robin Poynor, Associate Professor Of Art At The University Of Florida, Is Guest Curator Of The Spirit Eyes, Human Hands Exhibition Of The University'S Samuel P. Harn Museum Of Art. He Is The Former Curator Of The Tweed Museum At The University Of Minnesota, Duluth. He Has Written Principally On The Art Of The Yoruba Kingdom Of Owo, Nigeria, Where He Did Field Research, And He Has Curated A Number Of Exhibitions Of African Art, Writing Essays, Catalogues, And Display Texts For The Metropolitan Museum Of Art, Birmingham Museum Of Art, And Indiana University Art Museum. He Has Published Extensively In African Arts.
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- Q: How many pages does the book have? A: The book has two hundred thirty-seven pages. It provides an extensive exploration of West African art and its cultural significance.
- Q: What is the binding type of this book? A: The book is a hardcover edition. This type of binding ensures durability and a professional appearance for display.
- Q: What are the dimensions of the book? A: The book measures seven point twenty-eight inches in length, zero point ninety-five inches in width, and ten point thirty-one inches in height. These dimensions make it a suitable size for both reading and display.
- Q: Who is the author of the book? A: The author is Robin Poynor. He is an associate professor of art with extensive knowledge of African art.
- Q: What category does this book fall under? A: The book is categorized under Collections, Catalogs & Exhibitions. It focuses specifically on African art and its cultural context.
- Q: What is the main theme of the book? A: The main theme revolves around the interplay between spiritual and human realms in African art. It discusses how art serves as a medium connecting these worlds.
- Q: Is this book suitable for children? A: Yes, the book is suitable for children, particularly those interested in art and cultural studies. However, parental guidance may enhance understanding.
- Q: How can I use this book for educational purposes? A: This book can be used as a resource for research, art appreciation, or cultural studies. Its essays and photographs provide rich educational content.
- Q: Can this book be used for art courses? A: Yes, this book is ideal for art courses focusing on African art. It offers in-depth insights and context for various art pieces.
- Q: What care does the book require? A: To keep the book in good condition, store it in a cool, dry place and avoid exposing it to direct sunlight. This will preserve the binding and pages.
- Q: Is this book a good gift for art lovers? A: Yes, this book makes an excellent gift for art lovers. Its insightful content and beautiful photographs will appeal to anyone interested in African art.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact customer support for assistance with returns or exchanges. They will help you resolve the issue.
- Q: Does this book include photographs of art pieces? A: Yes, the book includes dramatic color and black-and-white photographs of ninety-three pieces of art. These visuals enhance the text and understanding of the pieces.
- Q: Are there essays included in the book? A: Yes, the book contains essays by Robin Poynor that provide context and analysis of the artworks. These essays enrich the reader's appreciation of the collection.
- Q: What is the target audience for this book? A: The target audience includes art enthusiasts, students, and scholars interested in African art and cultural studies. It appeals to a wide range of readers.