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If you have any questions, you are always welcome to contact us. We'll get back to you as soon as possible, withing 24 hours on weekdays.
Customer service
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Sale & Press
If you are interested in selling our products, need more information about our brand or wish to make a collaboration, please contact us at press@yourdomain.com
Passage Into The Modern World Left The Russian Icon Profoundly Altered. It Fell Into New Hands, Migrated To New Homes, And Acquired New Forms And Meanings. Icons Were Made In The Factories Of Foreign Industrialists And Destroyed By Iconoclasts Of The Proletariat. Even The Icons Traditional Functionswhether In The Feast Days Of The Church Or The Pageantry Of State Powerwere Susceptible To The Transformative Forces Of Modernization. In Alter Icons: The Russian Icon And Modernity, Eleven Scholars Of Russian History, Art, Literature, Cinema, Philosophy, And Theology Track Key Shifts In The Production, Circulation, And Consumption Of The Russian Icon From Peter The Greats Enlightenment To The Postsoviet Revival Of Orthodoxy. Alter Icons Shows How The Twin Pressures Of Secular Scholarship And Secular Art Transformed The Russian Icon From A Sacred Image In The Church To A Masterpiece In The Museum, From A Parochial Craftwork To A Template For The Avantgarde, And From A Medieval Interface With The Divine To A Modernist Prism For Seeing The World Anew.In Addition To The Editors, The Contributors Are Robert Bird, Elena Boeck, Shirley A. Glade, Johnpaul Himka, John Anthony Mcguckin, Robert L. Nichols, Sarah Pratt, Wendy R. Salmond, And Vera Shevzov.
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birth defects, or other reproductive harm.
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