Title
America s Concertmasters (Detroit Monographs in Musicology/Studies in Music, No. 51)
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This unique book, based on extensive research on more than 180 concertmasters and dozens of interviews, looks at the training and personality traits that have yielded great leaders in the string sections of orchestras in the United States and Canada. After a brief overview of some of the early concertmasters in Europe, twelve chapters present the histories of the concertmaster position in twelve North American orchestras, together with indepth profiles of twentytwo of the men and women who are the recent and present occupants of the first chair in these symphony and opera orchestras. America s Concertmasters depicts their love affair with violins, their political and psychological acumen, their activism on behalf of their colleagues, and how they model ethical and professional standards. It describes in their words how they advocate for and cede authority to the conductor they serve. And it examines how they make musical decisions, react in crises, and in practical ways deal with the pressures of their solo work.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the page count of America's Concertmasters? A: This book contains five hundred eighty pages. It offers extensive research and insights into concertmasters in North America.
- Q: What type of binding does this book have? A: America's Concertmasters is available in paperback binding. This makes it lightweight and suitable for casual reading.
- Q: Who is the author of America's Concertmasters? A: The book is authored by Anne Mischakoff Heiles. She provides a detailed examination of concertmasters based on her research.
- Q: What is the genre of America's Concertmasters? A: This book falls under the Musical Genres category. It explores the roles of concertmasters in orchestras.
- Q: What are the dimensions of America's Concertmasters? A: The book measures seven point zero one inches in length, one point seven five inches in width, and nine point seven six inches in height. These dimensions make it easy to handle.
- Q: How can I use America's Concertmasters effectively? A: You can read this book to understand the history and role of concertmasters in orchestras. It is suitable for musicians, music students, and educators.
- Q: Is America's Concertmasters suitable for beginners in music? A: Yes, this book is suitable for beginners. It provides foundational knowledge about concertmasters and their importance in orchestras.
- Q: Can I use America's Concertmasters for academic research? A: Yes, this book is a valuable resource for academic research. It includes extensive interviews and profiles of concertmasters.
- Q: How should I store America's Concertmasters to keep it in good condition? A: Store the book upright in a dry, cool place away from direct sunlight. This helps prevent damage to the pages and cover.
- Q: Is there any special care needed for America's Concertmasters? A: No special care is needed beyond standard book maintenance. Keep it clean and handle it gently to preserve its condition.
- Q: What if America's Concertmasters arrives damaged? A: If the book arrives damaged, you should contact the seller for a replacement or refund. Most sellers have return policies for such issues.
- Q: Where can I find America's Concertmasters? A: You can find this book at various online retailers and bookstores. It is published by Harmonie Park Press.
- Q: How does America's Concertmasters compare to other music books? A: This book uniquely focuses on concertmasters, offering in-depth profiles that distinguish it from general music history books.
- Q: Is America's Concertmasters appropriate for children? A: While suitable for older children interested in music, it is primarily aimed at adults and students of music.
- Q: What themes are explored in America's Concertmasters? A: The book explores themes of leadership, advocacy, and the personal experiences of concertmasters in orchestras.