Title
American Genre Painting: The Politics Of Everyday Life
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American Genre Painting Flourished In The Thirty Years Before The Civil War, A Period Of Rapid Social Change That Followed The Election Of President Andrew Jackson. It Has Long Been Assumed That These Paintingsof Farmers, Western Boatmen And Trappers, Blacks Both Slave And Free, Middleclass Women, Urban Urchins, And Other Everyday Folkserved As Records Of An Innocent Age, Reflecting A Jacksonian Optimism And Faith In The Common Man. In This Enlightening Book Elizabeth Johns Presents A Different Interpretationarguing That Genre Paintings Had A Social Function That Related In A More Significant And Less Idealistic Way To The Political And Cultural Life Of The Time.Analyzing Works By William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, And Others, Johns Reveals The Humor And Cynicism In The Paintings And Places Them In The Context Of Stories About The American Character That Appeared In Sources Ranging From Almanacs And Newspapers To Joke Books And Political Caricature. She Compares The Productions Of American Painters With Those Of Earlier Dutch, English, And French Genre Artists, Showing The Distinctive Interests Of American Viewers. Arguing That Art Is Socially Constructed To Meet The Interests Of Its Patrons And Viewers, She Demonstrates That The Audience For American Genre Paintings Consisted Of New Yorkers With A Highly Developed Ambition For Political And Social Leadership, Who Enjoyed Setting Up Citizens Of The New Democracy As Targets Of Satire Or Condescension To Satisfy Their Need For Superiority. It Was This Network Of Social Hierarchies And Prejudicesand Not A Blissful Celebration Of American Democracythat Informed The Look And The Richly Ambiguous Content Of Genre Painting.
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- Q: How many pages are in 'American Genre Painting: The Politics of Everyday Life'? A: There are two hundred seventy-two pages in this book. It provides an in-depth exploration of American genre painting.
- Q: What is the binding type of this book? A: The book is available in paperback. This makes it lightweight and flexible for easy handling.
- Q: What are the dimensions of 'American Genre Painting'? A: The book measures eleven point zero two inches in length, eight point five eight inches in width, and zero point eight three inches in height.
- Q: Who is the author of this book? A: The author is Elizabeth Johns. She presents a unique interpretation of American genre paintings and their societal functions.
- Q: What genre does this book belong to? A: This book falls under the genre of Art History. It specifically discusses American genre painting and its political implications.
- Q: How is 'American Genre Painting' relevant to understanding American culture? A: The book connects genre paintings to the political and cultural life of pre-Civil War America. It challenges the notion of these artworks merely reflecting optimism.
- Q: What themes are explored in this book? A: The book explores themes of social hierarchy, political satire, and the everyday life of various American characters. It analyzes art in the context of its audience.
- Q: Is this book suitable for art students? A: Yes, this book is suitable for art students. It offers critical insights into American genre painting that can enhance their understanding of the subject.
- Q: How does the author analyze the paintings in this book? A: Elizabeth Johns analyzes the paintings by placing them within the context of American character stories from various sources. She highlights humor and cynicism present in the art.
- Q: What type of readers would benefit from this book? A: Readers interested in American art history, cultural studies, and political history would benefit from this book. It provides a nuanced perspective on genre painting.
- Q: What is the publication date of 'American Genre Painting'? A: The publication date is not specified in the details provided. However, it is published by Yale University Press.
- Q: Can I find comparisons with European genre artists in this book? A: Yes, the book compares American genre painters with earlier Dutch, English, and French genre artists. This highlights the distinctive interests of American viewers.
- Q: How does this book address the audience of genre paintings? A: The book argues that the audience consisted of politically ambitious New Yorkers, who engaged with the art to express societal hierarchies and prejudices.
- Q: What kind of illustrations can I expect in this book? A: The book features illustrations of American genre paintings by artists such as William Sidney Mount and George Caleb Bingham. These visuals support the author's analyses.
- Q: Is this book a scholarly resource? A: Yes, this book is considered a scholarly resource. It presents a detailed examination of genre painting with academic rigor.