Title
American Singers: Twentyseven Portraits in Song,Used
Sold by Ergodebooks, an authorized reseller.
Returns accepted within 30 days | support@ergodebooks.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 1–3 business days
- Estimated Delivery: 3–5 business days after dispatch
- Double-boxed, fully insured & discreetly packaged
- Tracking number sent via email once dispatched
- Orders over $250 require signature upon delivery. Taxes calculated at checkout.
Returns & Refund
Returns accepted within 30 days of delivery.
Damaged or Defective Item
Free return shipping + replacement or full refund
Wrong Item Received
Free return shipping + replacement or full refund
Change of Mind
Return shipping at customer's expense · 25% restocking fee applies
Payment Option
When Whitney Balliett's American Musicians appeared in the Fall of 1986, the acclaim it received was universal. Leonard Feather, writing in the Los Angeles Times, said no other writer now living can write with comparable grace and equal enthusiasm about everyone from Jack Teagarden and Art Tatum to Cecil Taylor and Ornette Coleman. And Bruce Cook in The New Leader called the book the quintessential Whitney Balliett, the cream of the cream, a collection that leaves no doubt about his strength.That book gathered together all of Balliett's profiles of jazz instrumentalists. Here, in the revised edition of American Singers, Balliett has added thirteen new biographical profiles to double the size of the book and provide the perfect complement to American Musicians. It now contains all the profiles on singers that Balliett has written for the New Yorker. Alongside original chapters on such great vocalists as Ray Charles, Tony Bennett, Joe Turner, and Alberta Hunter, Balliett has added fresh portraits of Mel Torm, Julius La Rosa, George Shearing, and Peggy Lee. To his study of four masters of the cabaret (Hugh Shannon, Mabel Mercer, Bobby Short, and Blossom Dearie) he has joined a fifth, Julie Wilson. There are new chapters on singerpianists Cleo Brown and Nellie Lutcher, as well as on Carol Sloane, Betty Carter, and David Frishberg. Perhaps most notable is his extended profile of Alec Wilder, one of America's most lyrical and moving songwriters and composers.In the three decades that he wrote for the New Yorker, Whitney Balliett earned the reputation as America's foremost jazz critic. The late Philip Larkin described him as a writer who brings jazz journalism to the verge of poetry, and Gene Lees called him one of the most graceful essayists in the English language on any subject. He had an unsurpassed ability to convey in words the sound of a singer's voice, and he made readers feel, as one observer put it, that they were sitting with Balliett and his subject and listening in.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.