Title
Animating Film Theory,Used
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Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Herv JoubertLaurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi
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- Q: How many pages does 'Animating Film Theory' have? A: This book has three hundred seventy-six pages. It offers a comprehensive exploration of animation and film theory.
- Q: What is the binding type of this book? A: The binding type is paperback. This makes it lightweight and flexible for easy reading.
- Q: What are the dimensions of 'Animating Film Theory'? A: The dimensions are six and a half inches by one inch by nine and a quarter inches. These measurements make it a convenient size for handling.
- Q: Who is the author of this book? A: The author is Karen Redrobe. She is known for her expertise in animation and film studies.
- Q: What category does 'Animating Film Theory' belong to? A: This book is categorized under Performing Arts. It explores the intersection of animation and film theory.
- Q: How do I read 'Animating Film Theory'? A: You can read it just like any other book. It is structured into chapters that discuss various aspects of animation and film.
- Q: Is this book suitable for beginners in film studies? A: Yes, it is suitable for beginners. The contributors address foundational concepts in animation and film theory.
- Q: Can 'Animating Film Theory' be used as a textbook? A: Yes, it can be used as a textbook. Its academic contributors provide in-depth analyses suitable for educational settings.
- Q: How should I store this book to keep it in good condition? A: Store it upright on a shelf or flat to prevent warping. Keeping it away from direct sunlight will help maintain its quality.
- Q: Is 'Animating Film Theory' safe for young readers? A: Yes, it is appropriate for young readers interested in film and animation. However, some concepts may require guidance.
- Q: What if my copy of 'Animating Film Theory' arrives damaged? A: If it arrives damaged, you should contact the seller for a return or replacement. Most sellers have a return policy for such issues.
- Q: Does this book include illustrations or visuals? A: No, 'Animating Film Theory' does not specifically mention illustrations in its description. It focuses on theoretical discussions.
- Q: What themes does 'Animating Film Theory' cover? A: It covers themes like the relationship between animation and film theory, historical contributions, and theoretical questions.
- Q: Are there any notable contributors to this book? A: Yes, notable contributors include Karen Beckman, Tom Gunning, and Alexander R. Galloway. They bring diverse perspectives to the topic.
- Q: Is there an eBook version available for 'Animating Film Theory'? A: The description does not specify an eBook version. You may need to check with the publisher or retailers.