Appropriating Blackness: Performance And The Politics Of Authenticity,New
Appropriating Blackness: Performance And The Politics Of Authenticity,New
Appropriating Blackness: Performance And The Politics Of Authenticity,New

Appropriating Blackness: Performance And The Politics Of Authenticity,New

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SKU: DADAX0822331918
Brand: Duke University Press
Condition: New
Regular price$35.54
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Performance Artist And Scholar E. Patrick Johnsons Provocative Study Examines How Blackness Is Appropriated And Performedtoward Widely Divergent Endsboth Within And Outside African American Culture. Appropriating Blackness Develops From The Contention That Blackness In The United States Is Necessarily A Politicized Identityavowed And Disavowed, Attractive And Repellent, Fixed And Malleable. Drawing On Performance Theory, Queer Studies, Literary Analysis, Film Criticism, And Ethnographic Fieldwork, Johnson Describes How Diverse Constituencies Persistently Try To Prescribe The Boundaries Of 'Authentic' Blackness And How Performance Highlights The Futility Of Such Enterprises.Johnson Looks At Various Sites Of Performed Blackness, Including Marlon Riggss Influential Documentary Black Is . . . Black Aint And Comedic Routines By Eddie Murphy, David Alan Grier, And Damon Wayans. He Analyzes Nationalist Writings By Amiri Baraka And Eldridge Cleaver, The Vernacular Of Black Gay Culture, An Oral History Of His Grandmothers Experience As A Domestic Worker In The South, Gospel Music As Performed By A White Australian Choir, And Pedagogy In A Performance Studies Classroom. By Exploring The Divergent Aims And Effects Of These Performancesranging From Resisting Racism, Sexism, And Homophobia To Excluding Sexual Dissidents From The Black Communityjohnson Deftly Analyzes The Multiple Significations Of Blackness And Their Myriad Political Implications. His Reflexive Account Considers His Own Complicity, As Ethnographer And Teacher, In Authenticating Narratives Of Blackness.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: What is the page count of the book? A: The book has three hundred eighty-four pages. This length allows for an in-depth exploration of the themes presented.
  • Q: What type of binding does this book have? A: This book is available in paperback binding. Paperback is often lighter and more flexible than hardcover.
  • Q: Who is the author of this book? A: The author is E. Patrick Johnson. He is known for his work in performance studies and African American culture.
  • Q: What topics does this book cover? A: The book examines blackness as a politicized identity. It covers themes like performance, authenticity, and cultural appropriation.
  • Q: Is this book suitable for academic use? A: Yes, this book is suitable for academic use. It employs performance theory and literary analysis, making it a valuable resource.
  • Q: How does this book explore the concept of blackness? A: The book explores blackness through various performances. It addresses how identity is both constructed and contested in society.
  • Q: How should I care for this book? A: To care for this book, store it in a cool, dry place. Avoid exposing it to direct sunlight to prevent fading.
  • Q: Can this book be returned if damaged? A: Yes, the book can be returned if damaged. Check the return policy of the retailer for specific conditions.
  • Q: What is the target audience for this book? A: The target audience includes students and scholars interested in African American studies. It's also relevant for those studying performance art.
  • Q: Does this book include real-life examples? A: Yes, the book includes real-life examples of performed blackness. It discusses various cultural references and performances.
  • Q: Is this book appropriate for high school students? A: Yes, the book is appropriate for advanced high school students. It can provide valuable insights into cultural studies.
  • Q: What is the main argument of this book? A: The main argument is that blackness is a politicized identity. The author critiques the boundaries of what constitutes 'authentic' blackness.
  • Q: How is humor addressed in this book? A: Humor is addressed through comedic performances by figures like Eddie Murphy. The book analyzes how humor intersects with identity.
  • Q: Does this book contain any illustrations? A: No, this book does not contain illustrations. It focuses on text to convey its complex arguments.
  • Q: What is the publication date of this book? A: The publication date is not specified in the provided details. Please check with the publisher for accurate information.

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