Aristotle On Poetics,Used

Aristotle On Poetics,Used

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Aristotle's muchtranslated On Poetics is the earliest and arguably the best treatment that we possess of tragedy as a literary form. Seth Benardete and Michael Davis have translated it anew with a view to rendering Aristotles text into English as precisely as possible. A literal translation has long been needed, for in order to excavate the argument of On Poetics one has to attend not simply to what is said on the surface but also to the various puzzles, questions, and peculiarities that emerge only on the level of how Aristotle says what he says and thereby leads one to revise and deepen ones initial understanding of the intent of the argument. As On Poetics is about how tragedy ought to be composed, it should not be surprising that it turns out to be a rather artful piece of literature in its own right.Benardete and Davis supplement their edition of On Poetics with extensive notes and appendices. They explain nuances of the original that elude translation, and they provide translations of passages found elsewhere in Aristotles works as well as in those of other ancient authors that prove useful in thinking through the argument of On Poetics both in terms of its treatment of tragedy and in terms of its broader concerns. By following the connections Aristotle plots between On Poetics and his other works, readers will be in a position to appreciate the centrality of this little book for his thought on the whole.In an introduction that sketches the overall interpretation of On Poetics presented in his The Poetry of Philosophy (St. Augustines Press, 1999), Davis argues that, while On Poetics is certainly about tragedy, it has a further concern extending beyond poetry to the very structure of the human soul in its relation to what is, and that Aristotle reveals in the form of his argument the true character of human action.

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Frequently Asked Questions

  • Q: What is 'Aristotle On Poetics' about? A: 'Aristotle On Poetics' is a foundational text that explores the nature of tragedy and its composition. It delves into the structure of tragedy as a literary form and provides insights into Aristotle's broader philosophical concerns regarding human action and the soul.
  • Q: Who are the authors of this edition? A: This edition of 'On Poetics' has been translated by Seth Benardete and Michael Davis, who aimed to provide a precise and literal translation of Aristotle's original text.
  • Q: How does this edition differ from others? A: This edition features extensive notes and appendices that clarify nuances of the original text and include relevant translations from other works of Aristotle and ancient authors, enhancing the reader's understanding of the text.
  • Q: What is the format and condition of the book? A: 'Aristotle On Poetics' is available in paperback format and is in new condition, making it suitable for both new readers and collectors.
  • Q: How many pages does the book have? A: The book contains 144 pages, providing a concise yet comprehensive examination of Aristotle's thoughts on tragedy.
  • Q: When was this edition published? A: This edition of 'On Poetics' was published in July 2002.
  • Q: What can I expect from the introduction of this book? A: The introduction, written by Michael Davis, outlines the overall interpretation of 'On Poetics' and discusses its implications beyond poetry, particularly in relation to the structure of the human soul.
  • Q: Is this book suitable for beginners in philosophy? A: Yes, while it is a scholarly work, the translation and notes provided aim to make Aristotle's ideas accessible to readers who may be new to philosophy or literary criticism.
  • Q: Are there additional resources or references included? A: Yes, the edition includes notes and appendices that reference other works by Aristotle and ancient authors, aiding in a deeper understanding of the arguments presented.
  • Q: What themes are explored in 'On Poetics'? A: 'On Poetics' explores themes such as the mechanics of tragedy, the nature of artistic composition, and the relationship between art and human experience.