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Art after Philosophy: Boris Pasternaks Early Prose,Used
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Art after Philosophy: Boris Pasternaks Early Prose, by Elena GlazovCorrigan, redefines an area in Slavic studies which has suffered from neglect for several decades, namely, Pasternaks early prose narratives. In her bold new study, GlazovCorrigan analyzes the conceptual networks of thought Pasternak developed when he turned to literature after abandoning the study of NeoKantianism in Marburg during the summer of 1912. This book shows conclusively that Pasternaks knowledge of philosophy is inseparable from his prose works, even though in his early stories and novellas (19131918) philosophical ideas operate neither as discrete textual units nor as microelements or clusters of possible signification. In the early Pasternak, philosophy becomes a narrative art, a largescale narrative frame, a manner of seeing rather than of constructing reality.After Roman Jakobsons famous 1935 essay, which characterized the early Pasternak as a virtuoso of metonymy, in contrast to the metaphoric Mayakovsky, no other approach has been able to generate comparable scholarly influence. The present study takes up the implicit challenge of this critical impasse. Entering into a debate with Jakobsons findings, Art after Philosophy illuminates Pasternaks boldest artistic experiments and suggests to his readers entirely new ways of approaching not only his early but also his later writing.
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