Title
Art And The Victorian Middle Class: Money And The Making Of Cultural Identity
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This Is The First Study Of Middleclass Collection Practices In Nineteenthcentury England. It Examines The Victorian Art World From The Perspective Of The Businessmen Whose Successes During The Industrial Revolution Caused Them To Turn To Art As A Means Of Carving Out An Identity Of Their Own That Was Distinct From The Leisured Existence Of The Aristocracy And Gentry. Such Patrons Created A Market For Earlyvictorian Narrative Paintings Which Nostalgically Perpetuated The Oral Traditions Of Village Life, Midvictorian Scenes Which Glorified The Accomplishments And Moral Probity Of Urban Dwellers, And Latevictorian Erotoreligious Subjects Which Promised Escapist Pleasures To The Worldweary Buyer. Macleod'S Analysis Of Class, Motivations And Patterns Of Consumption Among Patrons Is Supplemented By An Indispensable Appendix Of Collectors, Making This An Essential Work Of Reference. Awarded The Jacques Barzun Prize In Cultural History For 1997 By The American Philosophical Society And The Historians Of British Art Book Prize For Best Book In Nineteenthcentury Studies.
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- Q: What is the page count of this book? A: This book has five hundred fifty pages. It provides an in-depth analysis of the Victorian art world.
- Q: What type of binding does this book have? A: This book is bound in hardcover. Hardcover bindings are known for their durability and long-lasting quality.
- Q: What are the dimensions of this book? A: This book measures eight inches in length, one and a half inches in width, and ten and a quarter inches in height. Its size makes it suitable for both reading and display.
- Q: Who is the author of this book? A: The author of this book is Dianne Sachko Macleod. She specializes in cultural history and has received awards for her work.
- Q: What is the main subject of this book? A: This book examines the collection practices of the Victorian middle class. It explores how art was used to develop a cultural identity.
- Q: Is this book suitable for academic study? A: Yes, this book is suitable for academic study. Its thorough analysis and references make it a valuable resource for researchers.
- Q: What themes are explored in this book? A: This book explores themes of class, identity, and consumption in Victorian society. It highlights the motivations behind art collection.
- Q: Is this book appropriate for casual readers? A: Yes, casual readers may find this book interesting. While it is scholarly, it also engages with broader cultural topics.
- Q: What is the focus of the appendix in this book? A: The appendix provides a list of collectors from the Victorian era. This section enhances the main text by offering additional context.
- Q: How should I care for this hardcover book? A: To care for this hardcover book, store it upright in a dry place. Avoid exposure to direct sunlight to prevent fading.
- Q: Can this book be returned if I don't like it? A: Yes, this book can typically be returned if it does not meet your expectations. Check the return policy of the seller.
- Q: What if the book arrives damaged? A: If the book arrives damaged, contact the seller immediately for a replacement or refund. Most sellers have policies for such situations.
- Q: Is this book suitable for high school students? A: Yes, high school students can read this book. It provides insights into Victorian history that may complement their studies.
- Q: Does this book cover the impact of the Industrial Revolution on art? A: Yes, the book discusses how the Industrial Revolution influenced art collection practices. It connects economic changes to cultural identity.
- Q: What awards has this book received? A: This book was awarded the Jacques Barzun Prize in Cultural History in nineteen ninety-seven. It also received the Historians of British Art Book Prize.
- Q: Is there any adult content in this book? A: No, there is no explicit adult content in this book. It focuses on historical analysis and cultural discussions.