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Art history: A critical introduction to its methods,Used
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Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to postcolonialism, the book provides a sense of art historys own history as a discipline from its emergence in the lateeighteenth century to contemporary debates. By explaining the underlying philosophical and political assumptions behind each method, along with clear examples of how these are brought to bear on visual and historical analysis, the authors show that an adherence to a certain method is, in effect, a commitment to a set of beliefs and values. The book makes a strong case for the vitality of the discipline and its methodological centrality to new fields such as visual culture.This book will be of enormous value to undergraduate and graduate students, and also makes its own contributions to ongoing scholarly debates about theory and method.
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- Q: What is the main focus of 'Art History: A Critical Introduction to Its Methods'? A: The book provides a lively introduction to methodological debates in art history, tracing its development from the late-eighteenth century to contemporary discussions.
- Q: Who is the author of this book? A: The book is authored by Michael Hatt.
- Q: What type of binding does this book have? A: This book is published in paperback binding.
- Q: How many pages are in 'Art History: A Critical Introduction to Its Methods'? A: The book contains 264 pages.
- Q: Is this book suitable for students? A: Yes, it is valuable for both undergraduate and graduate students interested in art history and its methodologies.
- Q: When was this book published? A: The book was published on March 9, 2006.
- Q: What condition is the book in? A: The book is listed as being in new condition.
- Q: Does the book include illustrations? A: Yes, this edition is illustrated.
- Q: What topics does the book cover? A: It covers various methodologies in art history, including philosophical and political assumptions, with examples for visual and historical analysis.
- Q: Can this book contribute to scholarly debates? A: Yes, it makes significant contributions to ongoing scholarly discussions about theory and method in art history.