Title
Art, Ideology, And Economics In Nazi Germany: The Reich Chambers Of Music, Theater, And The Visual Arts
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From 1933 To 1945, The Reich Chamber Of Culture Exercised A Profound Influence Over Hundreds Of Thousands Of German Artists And Entertainers. Alan Steinweis Focuses On The Fields Of Music, Theater, And The Visual Arts In This First Major Study Of Nazi Cultural Administration, Examining A Complex Pattern Of Interaction Among Leading Nazi Figures, German Cultural Functionaries, Ordinary Artists, And Consumers Of Culture. Steinweis Gives Special Attention To Nazi Efforts To Purge The Arts Of Jews And Other Socalled Undesirables.Steinweis Describes The Political, Professional, And Economic Environment In Which German Artists Were Compelled To Function And Explains The Structure Of Decision Making, Thus Showing In Whose Interest Cultural Policies Were Formulated. He Discusses Such Issues As Insurance, Minimum Wage Statutes, And Certification Guidelines, All Of Which Were Matters Of High Priority To The Art Professions Before 1933 As Well As After The Nazi Seizure Of Power. By Elucidating The Economic And Professional Context Of Cultural Life, Steinweis Helps To Explain The Widespread Acquiescence Of German Artists To Artistic Censorship And Racial 'Purification.' His Work Also Sheds New Light On The Purge Of Jews From German Cultural Life.
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We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
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To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of the book 'Art, Ideology, and Economics in Nazi Germany'? A: The book primarily examines the influence of the Reich Chamber of Culture on German artists and entertainers from 1933 to 1945, focusing on music, theater, and visual arts.
- Q: Who is the author of this book? A: The author is Alan E. Steinweis, who explores the complex interactions between Nazi leaders, cultural functionaries, and artists during the Nazi regime.
- Q: What time period does this book cover? A: The book covers the period from 1933 to 1945, detailing the impact of Nazi cultural policies on the arts.
- Q: What types of cultural policies are discussed in the book? A: The book discusses various cultural policies, including artistic censorship, racial 'purification,' insurance, minimum wage statutes, and certification guidelines affecting artists.
- Q: Is this book suitable for academic research? A: Yes, this book is suitable for academic research as it provides a detailed analysis of Nazi cultural administration and its effects on the arts in Germany.
- Q: What is the condition of the book? A: The book is listed as 'New', indicating that it is in pristine condition and has not been previously used.
- Q: What are the dimensions of the book? A: The book has 256 pages and is available in a paperback binding.
- Q: When was this book published? A: The book was published on September 30, 1996.
- Q: Does the book cover the purge of Jewish artists? A: Yes, the book gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables during this period.
- Q: What can readers expect to learn from this book? A: Readers can expect to gain insights into the economic and professional context of cultural life in Nazi Germany, as well as the reasons behind artists' acquiescence to censorship.