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Fernando Pessoa (18881935) is widely regarded as Portugal's greatest poet, but in this groundbreaking new study, Irene Ramalho Santos places him in a transatlantic literary context, revealing the rich interconnections between his work and that of AngloAmerican modernists ranging from Whitman to Crane and Rich. In the process, she reveals Pessoa himself to be a major figure of the modernistand transatlantictradition.Pessoa's own poetry, little of which was published during his lifetime, was marked by his extensive use of guises and personae, 'heteronyms' that the poet invented and adopted. Santos argues not only that such AngloAmerican poets as Whitman, Dickinson, Eliot, Pound, Crane, and Stevens can shed light on Pessoa's work, but also that Pessoa's poetry offers reciprocal insights into the work of these modernists. She applies a range of Pessoaderived concepts (Disquietude, Atlanticism, and others) to shed new light on the concerns and characteristics of AngloAmerican modernist poetry, and shows that this tradition can no longer be viewed in cultural isolation, but instead must be considered within the context of the intellectual and artistic ferment of the Atlantic world.
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