Audiovision: Sound On Screen
Audiovision: Sound On Screen
Audiovision: Sound On Screen

Audiovision: Sound On Screen

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In Audiovision: Sound On Screen, French Critic And Composer Michel Chion Reassesses Audiovisual Media Since The Revolutionary 1927 Debut Of Recorded Sound In Cinema, Shedding Crucial Light On The Mutual Relationship Between Sound And Image In Audiovisual Perception.Chion Argues That Sound Film Qualitatively Produces A New Form Of Perception: We Don'T See Images And Hear Sounds As Separate Channels, We Audioview A Transsensory Whole. Expanding On Arguments Made In His Influential Books The Voice In Cinema And Sound In Cinema, Chion Provides Lapidary Insight Into The Functions And Aesthetics Of Sound In Film And Television. He Considers The Effects Of Such Evolving Technologies As Widescreen, Multitrack, And Dolby; The Influences Of Sound On The Perception Of Space And Time; And The Impact Of Such Contemporary Forms Of Audiovision As Music Videos, Video Art, And Commercial Television. Chion Concludes With An Original And Useful Model For The Audiovisual Analysis Of Film.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: What is the main focus of 'Audio-Vision: Sound on Screen'? A: The book focuses on the relationship between sound and image in audiovisual media, particularly how sound film creates a new form of perception.
  • Q: Who is the author of 'Audio-Vision: Sound on Screen'? A: The author is Michel Chion, a French critic and composer.
  • Q: When was 'Audio-Vision: Sound on Screen' published? A: The book was published on April 15, 1994.
  • Q: What is the format and binding of this book? A: This edition is a paperback format.
  • Q: How many pages does 'Audio-Vision: Sound on Screen' have? A: The book contains 239 pages.
  • Q: What edition of the book is available? A: This is the 14th edition of 'Audio-Vision: Sound on Screen'.
  • Q: Is 'Audio-Vision: Sound on Screen' suitable for someone interested in film studies? A: Yes, the book provides valuable insights into the aesthetics and functions of sound in film, making it suitable for film studies enthusiasts.
  • Q: Does the book discuss contemporary forms of audio-vision? A: Yes, Michel Chion discusses contemporary forms such as music videos, video art, and commercial television.
  • Q: What unique perspective does Michel Chion offer in this book? A: Chion offers a model for audiovisual analysis, emphasizing the integration of sound and image in perception.
  • Q: What are some key themes explored in 'Audio-Vision: Sound on Screen'? A: Key themes include the impact of technology on sound perception, the mutual relationship between sound and image, and the evolution of audiovisual media.

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