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Authenticity in Performance: EighteenthCentury Case Studies,Used
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In the last ten years or so an interest in 'authenticity' has reached a wide public. Many of the bestselling records of Bach, Handel, Haydn and Mozart are those in which period techniques and period instruments are used. There is however a danger that new 'authentic' dogmas of style and interpretation will come to replace the anachronistic dogmas of the late romantic tradition. 'The search for an 'authentic' interpretation', writes Peter le Huray in his opening chapter, 'is not the search for a single hard and fast answer, but for a range of possibilities from which to make performing decisions.' This book introduces the performer to the problems that must be faced when preparing an 'authentic' interpretation. It does so by focusing on nine representative and wellknown works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask, and suggesting fruitful lines of enquiry. It is essential reading and reference material for player, student and listener alike.
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- Q: What is the main focus of 'Authenticity in Performance: Eighteenth-Century Case Studies'? A: The book explores the concept of 'authenticity' in musical performance, particularly how performers can interpret works from the Baroque and Classical periods using period techniques and instruments.
- Q: Who is the author of this book? A: The author is Peter Le Huray, who provides insights into the challenges of achieving authentic interpretations in performance.
- Q: What type of condition is the book in? A: The book is listed as 'Used Book in Good Condition', indicating it may have some wear but is generally well-preserved.
- Q: How many pages does the book have? A: The book contains a total of 224 pages.
- Q: What is the publishing date of this book? A: The book was published on November 30, 1990.
- Q: Is this book suitable for beginners in music performance? A: Yes, this book is essential reading for players, students, and listeners alike, making it suitable for various levels of understanding in music performance.
- Q: What category does this book fall under? A: The book is categorized under 'History & Criticism', focusing on historical performance practices.
- Q: What is the binding type of this book? A: This book is available in paperback binding.
- Q: Does the book address contemporary issues in music interpretation? A: Yes, the book discusses how modern interpretations may differ from historical practices and the importance of exploring a range of interpretive possibilities.
- Q: Can this book help with understanding period instruments? A: Yes, it includes discussions on period instruments and techniques integral to achieving authentic performances of classical works.