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AvantGarde Film: Forms, Themes and Passions (Short Cuts),Used
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AvantGarde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avantgarde film at a level appropriate for undergraduate study. It covers the developments of experimental filmmaking since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the young British artists. Through indepth casestudies, the book introduces students not only to the history of the avantgarde but also to varied analytical approaches to the films themselves ranging from abstraction (Richter, Ruttmann) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni).
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