Beyond Midi: The Handbook Of Musical Codes,Used
Beyond Midi: The Handbook Of Musical Codes,Used

Beyond Midi: The Handbook Of Musical Codes,Used

In Stock
SKU: SONG0262193949
Brand: Brand: The Mit Press
Regular price$46.30
Quantity
Add to wishlist
Add to compare

Processing time: 1-3 days

US Orders Ships in: 3-5 days

International Orders Ships in: 8-12 days

Return Policy: 15-days return on defective items

Payment Option
Payment Methods

Help

If you have any questions, you are always welcome to contact us. We'll get back to you as soon as possible, withing 24 hours on weekdays.

Customer service

All questions about your order, return and delivery must be sent to our customer service team by e-mail at yourstore@yourdomain.com

Sale & Press

If you are interested in selling our products, need more information about our brand or wish to make a collaboration, please contact us at press@yourdomain.com

The Establishment Of The Musical Instrument Digital Interface (Midi) In The Late 1980S Allowed Hobbyists And Musicians To Experiment With Sound Control In Ways That Previously Had Been Possible Only In Research Studios. Midi Is Now The Most Prevalent Representation Of Music, But What It Represents Is Based On Hardware Control Protocols For Sound Synthesis. Programs That Support Sound Input For Graphics Output Necessarily Span A Gamut Of Representational Categories. What Is Most Likely To Be Lost Is Any Sense Of The Musical Work. Thus, For Those Involved In Pedagogy, Analysis, Simulation, Notation, And Music Theory, The Nature Of The Representation Matters A Great Deal. An Understanding Of The Data Requirements Of Different Applications Is Fundamental To The Creation Of Interchange Codes. The Contributors To Beyond Midi Present A Broad Range Of Schemes, Illustrating A Wide Variety Of Approaches To Music Representation. Generally, Each Chapter Describes The History And Intended Purposes Of The Code, A Description Of The Representation Of The Primary Attributes Of Music (Pitch, Duration, Articulation, Ornamentation, Dynamics, And Timbre), A Description Of The File Organization, Some Mention Of Existing Data In The Format, Resources For Further Information, And At Least One Encoded Example. The Book Also Shows How Intended Applications Influence The Kinds Of Musical Information That Are Encoded.Contributorsdavid Bainbridge, Ulf Berggren, Roger D. Boyle, Donald Byrd, David Cooper, Edmund Correia, Jr., David Cottle, Tim Crawford, J. Stephen Dydo, Brent A. Field, Roger Firman, John Gibson, Cindy Grande, Lippold Haken, Thomas Hall, David Halperin, Philip Hazel, Walter B. Hewlett, John Howard, David Huron, Werner Icking, David Jaffe, Bettye Krolick, Max V. Mathews, Toshiaki Matsushima, Steven R. Newcomb, Kiachuan Ng, Kjell E. Nordli, Sile O'Modhrain, Perry Roland, Helmut Schaffrath, Bill Schottstaedt, Eleanor Selfrdigefield, Peer Sitter, Donald Sloan, Leland Smith, Andranick Tanguiane, Lynn M. Trowbridge, Frans Wiering

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

Recently Viewed