Title
Beyond National Identity: Pictorial Indigenism As A Modernist Strategy In Andean Art, 19201960 (Refiguring Modernism)
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Indigenism Is Not Folk Art. It Is A Vanguard Movement Conceived Of By Intellectuals And Artists Conversant In International Modernist Idioms And Defined In Response To Global Trends. Beyond National Identity Traces Changes In Andean Artists Vision Of Indigenous Peoples As Well As Shifts In The Critical Discourse Surrounding Their Work Between 1920 And 1960. By Challenging The Notion Of Pictorial Indigenism As A Direct Expression Of National Identity, Greet Demonstrates The Complexity Of The Indigenists Critical Engagement With European And Panamerican Cultural Developments And Presents The Trend In Its Global Context. Through Case Studies Of Works By Three Internationally Renowned Ecuadoran Artists, Camilo Egas, Eduardo Kingman Riofro, And Oswaldo Guayasamn Calero, Beyond National Identity Pushes The Idea Of Modernism In New Directionsboth Geographically And Conceptuallyto Challenge The Definitions And Boundaries Of Modern Art.
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- Q: How many pages does the book have? A: This book has three hundred twelve pages. It provides a comprehensive exploration of Andean art and indigenism.
- Q: What is the binding type of this book? A: The binding of this book is paperback. This makes it lightweight and easy to handle.
- Q: What are the dimensions of the book? A: The book measures nine inches in length, zero point eight seven inches in width, and nine point five inches in height.
- Q: Who is the author of this book? A: The author of this book is Michele Greet. She offers insightful analysis on Andean art and culture.
- Q: What is the main theme of this book? A: The main theme of this book is the exploration of indigenism in Andean art. It challenges traditional notions of national identity.
- Q: Is this book suitable for academic study? A: Yes, this book is suitable for academic study. It is well-researched and provides critical insights into modernist strategies in art.
- Q: How does this book approach the topic of Andean art? A: This book approaches Andean art by examining the critical discourse between 1920 and 1960. It emphasizes the complexity of indigenous representation.
- Q: Is this book appropriate for general readers? A: Yes, this book is appropriate for general readers. It is accessible while still providing scholarly insights.
- Q: Can this book be used for research purposes? A: Yes, this book can be used for research purposes. It includes case studies and engages with global cultural developments.
- Q: What type of illustrations are included in the book? A: The book includes forty-nine black-and-white illustrations and thirty-five color illustrations. These enhance the visual understanding of the text.
- Q: How should I store this book? A: Store this book in a cool, dry place to preserve its quality. Avoid exposure to direct sunlight or moisture.
- Q: Can I clean the book if it gets dirty? A: Yes, you can clean the book. Use a dry cloth to gently wipe any dirt or dust off the cover.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you can return it for a replacement or refund. Make sure to contact customer service for assistance.
- Q: How do I dispose of the book when I'm done? A: You can recycle the book if it is no longer needed. Check local recycling guidelines for books.
- Q: Is this book part of a series? A: No, this book is not part of a series. It stands alone as a comprehensive study on Andean art.
- Q: What audience is this book intended for? A: This book is intended for students, scholars, and anyone interested in modern art and cultural studies. It provides valuable insights.