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Black Mirror/Espejo Negro,Used
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The Provocative Threepart Project Black Mirror/Espejo Negro By The Artist Pedro Lasch Encompasses A Museum Installation, Photographs Of The Installation, And This Bilingual Book, Including Many Of The Photos, The Artists Statement, And Critical Commentaries. The Project Began As An Installation Commissioned By The Nasher Museum Of Art At Duke University To Accompany The Exhibition El Greco To Velzquez: Art During The Reign Of Philip Iii. In A Gallery Adjacent To The Exhibit Of Spanish Golden Age Masterpieces, Lasch Placed Black Rectangular Mirrors On The Walls, Each With An Image Of A Spanish Renaissance Painting Behind It. Precolumbian Stone And Ceramic Figures, Chosen By Lasch From The Museums Permanent Collection Of Mesoamerican Art, Stood On Pedestals Facing Toward Each Mirror And Away From Visitors Entering The Room. Viewers Were Drawn Into A Meditation On Colonialism And Spectatorship When, On Looking Into The Black Mirrors, They Saw The Precolumbian Figures, Seventeenth And Eighteenthcentury Spanish Priests And Conquistadores, Themselves, And The Contemporary Gallery Environment. The Book Black Mirror/Espejo Negro Includes Fullcolor Reproductions Of Thirtynine Photographs Of The Installation, As Well As The Text That Lasch Wrote To Accompany It. In Short Essays, Scholars Reflect On Laschs Work In Relation To Current Debates In Art History And Visual Studies, Race Discourse, Precolumbian Studies, Postcolonial Theory, And Decolonial Thought.Contributors. Srinivas Aravamudan, Jennifer A. Gonzlez, Pedro Lasch, Arnaud Maillet, Walter Mignolo, Pete Sigal
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