Title
Black Refractions: Highlights from The Studio Museum in Harlem,Used
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An authoritative guide to one of the world's most important collections of AfricanAmerican art, with works by artists from Romare Bearden to Kehinde Wiley.The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of 'black art,' Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present.An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi , and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.
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This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the main focus of 'Black Refractions'? A: 'Black Refractions' highlights the collection of African-American art from the Studio Museum in Harlem, showcasing works by notable artists such as Romare Bearden and Kehinde Wiley.
- Q: Who is the author of 'Black Refractions'? A: The book is authored by Connie H. Choi, who provides insights and context for the featured artworks.
- Q: How many pages does 'Black Refractions' have? A: 'Black Refractions' contains a total of 232 pages, offering an in-depth look at the collection.
- Q: What type of binding does this book have? A: 'Black Refractions' is available in a hardcover binding, ensuring durability and a quality presentation.
- Q: When was 'Black Refractions' published? A: 'Black Refractions' was published on January 15, 2019.
- Q: What themes are explored in 'Black Refractions'? A: The book explores themes related to the plurality of narratives in African-American art, focusing on modern and contemporary works.
- Q: Are there any essays included in 'Black Refractions'? A: Yes, the book includes an essay by Connie Choi and commentary entries by various art luminaries.
- Q: What is the condition of the 'Black Refractions' book? A: 'Black Refractions' is listed as 'New', ensuring that buyers receive a pristine copy.
- Q: Is 'Black Refractions' suitable for art students? A: Yes, 'Black Refractions' serves as a valuable resource for art students, providing critical insights into African-American art history and its significance.
- Q: Can 'Black Refractions' serve as a coffee table book? A: Absolutely, with its beautiful presentation and rich content, 'Black Refractions' makes an excellent coffee table book for art enthusiasts.