Title
Burning With Desire: The Conception Of Photography-used
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In An 1828 Letter To His Partner, Nicphore Nipce, Louis Daguerre Wrote, 'I Am Burning With Desire To See Your Experiments From Nature.' In This Book, Geoffrey Batchen Analyzes The Desire To Photograph As It Emerged Within The Philosophical And Scientific Milieus That Preceded The Actual Invention Of Photography. Recent Accounts Of Photography'S Identity Tend To Divide Between The Postmodern View That All Identity Is Determined By Context And A Formalist Effort To Define The Fundamental Characteristics Of Photography As A Medium. Batchen Critiques Both Approaches By Way Of A Detailed Discussion Of Photography'S Conception In The Late Eighteenth And Early Nineteenth Centuries. He Examines The Output Of The Various Nominees For 'First Photographer,' Then Incorporates This Information Into A Mode Of Historical Criticism Informed By The Work Of Michel Foucault And Jacques Derrida. The Result Is A Way Of Thinking About Photography That Persuasively Accords With The Medium'S Undeniable Conceptual, Political, And Historical Complexity.
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- Q: What is the page count of the book? A: The book contains two hundred eighty-six pages. It provides an in-depth analysis of photography's historical and conceptual complexities.
- Q: What are the dimensions of this book? A: The book measures seven point five six inches in length, zero point six seven inches in width, and nine point zero six inches in height. These dimensions make it a manageable size for reading.
- Q: What type of binding does this book have? A: This book is published in paperback binding. Paperback editions are typically more affordable and lightweight compared to hardcovers.
- Q: Who is the author of this book? A: The author of the book is Geoffrey Batchen. He is known for his expertise in the field of photography and its history.
- Q: What is the main theme of the book? A: The main theme revolves around the desire to photograph and its philosophical roots. Batchen critiques various historical perspectives on photography.
- Q: Is this book suitable for beginners in photography? A: Yes, this book is suitable for beginners. It provides foundational insights into the historical and conceptual aspects of photography.
- Q: What type of audience would appreciate this book? A: This book is ideal for students and enthusiasts of photography and art criticism. It appeals to those interested in the philosophical underpinnings of photography.
- Q: Can I use this book for academic purposes? A: Yes, this book is suitable for academic use. Its critical analysis and historical context make it a valuable resource for research.
- Q: How should I store this book to keep it in good condition? A: Store the book upright on a shelf in a cool, dry place. Avoid direct sunlight to prevent fading and warping of the pages.
- Q: Is there a warranty or return policy for this book? A: Typically, books do not come with a warranty, but you can check the return policy from the retailer. Most places allow returns within a specified period.
- Q: What if the book arrives damaged? A: If the book arrives damaged, contact the retailer for a replacement or refund. Most retailers have customer service for such issues.
- Q: Does this book include any illustrations or photographs? A: No, this book does not include illustrations or photographs. It primarily focuses on theoretical discussions of photography.
- Q: Are there any notable critiques included in the book? A: Yes, Batchen critiques both postmodern and formalist views on photography. This analysis adds depth to the discourse on photographic identity.
- Q: Is this book part of a series? A: No, this book is not part of a series. It stands alone as a critical exploration of photography's conception.
- Q: What is the publication date of the book? A: The book was published by MIT Press. Specific publication dates can usually be found on the copyright page.
- Q: What language is this book written in? A: The book is written in English. It is accessible for a wide audience interested in photography and art criticism.