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This book explores the areas of human perception and story narrative in moving images. Engaged by the research question, Can spectators become coauthors in the process of a story narrative?, the research focuses on exploring the coexistence and contradiction between the values of spectators and an author in a process of a narrative by developing a new potential narrative approach with multiple perspectives. I hypothesise that spectators could participate with the story narrative process as coauthors. My key method is to engage with spectators participation within a narration (story) by displaying story fragments across multiple screens simultaneously. The potential of having a story spread across multiple screens might bring further interest to authors to rethink the notion of a spectator and tell a story with multiple perspectives in a narrative process with spectators.
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