Can You Feel It?: Emotional Resonance Across Jazz and Literature,Used

Can You Feel It?: Emotional Resonance Across Jazz and Literature,Used

In Stock
SKU: DADAX3659203718
Brand: LAP Lambert Academic Publishing
Condition: New
Regular price$78.48
Free Standard Shipping Across USA
Quantity
Add to wishlist
Add to compare

Sold by Ergodebooks, an authorized reseller.

Returns accepted within 30 days | support@ergodebooks.com

Verified
Shipping Information
  • Free Standard Shipping — United States only
  • Processing Time: 3–5 business days
  • Estimated Delivery: 6–10 business days after dispatch
  • Double-boxed, fully insured & discreetly packaged
  • Tracking number sent via email once dispatched
Returns & Refund

Returns accepted within 30 days of delivery.

Damaged or Defective Item

Free return shipping + replacement or full refund

Wrong Item Received

Free return shipping + replacement or full refund

Change of Mind

Return shipping at customer's expense · 25% restocking fee applies

All returns require a Return Authorization (RA) number before sending.

To initiate a return, contact us:

support@ergodebooks.com +1 (281) 738-1050
View Full Return & Refund Policy
Payment Option
Payment Methods

Help

If you have any questions, you are always welcome to contact us. We'll get back to you as soon as possible, withing 24 hours on weekdays.

Customer service

All questions about your order, return and delivery must be sent to our customer service team by e-mail at yourstore@yourdomain.com

Sale & Press

If you are interested in selling our products, need more information about our brand or wish to make a collaboration, please contact us at press@yourdomain.com

Who says it is impossible to study music and literature at the same time? Why can't a theorist apply techniques from one discipline to the other and expect consistent results? Is there something inherently difficult about studying art that makes these kinds of explorations a fool's errand? In the end, who gets to say if art, especially Impressionism, has defined meaning or debatable conclusions? This work establishes a degree of precedence for further study of the similarities between Modernist artists across media boundaries. By looking at the work of Duke Ellington and Ernest Hemingway we see how revolutionary and popular artists in their respective Modernist eras draw upon similar techniques in their compositional styles. Uniting these two artists under the banner of Impressionism requires a methodology excitedly interested in delving into the mire of emotional response. Passionate feelings about hermeneutics and interpretation should be embraced as opposed to shunned. In this, we see exactly how wrestling with these preconceived tendencies can illuminate hidden structures at play in how we look at the world.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

Recently Viewed