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Carthage ou la flamme du brasier part d'une suite potique d'Edouard Glissant, intitule Carthage, incluse dans Le sel noir (1960). Creuset des plus fructueux, ce texte a rapidement suscit chez Bernadette Cailler le dsir d'explorer d'autres incarnations textuelles contemporaines de ce regard port sur l'ancienne Carthage. Dans ce cheminement, deux grands noms du pass, savoir Virgile et Augustin, se sont galement trs tt intgrs la recherche. En effet, le lecteur dcouvrira que, d'une manire ou d'une autre, Virgile apparat dans tous les textes tudis ici. Quant Augustin, ses textes imprgnent de leurs traces deux des uvres examines dans cet ouvrage. Ce vaetvient entre temps et espaces a donc pris forme de l'tude mme de quelques auteurs du 20e sicle et de celui qui vient de commencer. A ce regard port sur l'uvre glissantienne et les anciens s'ajoutent une lecture de textes par Lopold Sdar Senghor, Fawzi Mellah, Moncef Ghachem, Kebir Mustapha Ammi, ainsi qu une mditation de certains aspects de La mort de Virgile par Hermann Broch. Dveloppant son tude, Bernadette Cailler est amene examiner diverses relations textuelles l'pique, plus gnralement aux textes fondateurs et, ce faisant, rflchir aussi la dialectique pouvant exister entre agression, sacrifice et massacre.***Table des Matires*** Remerciements*** Introduction La parole du Sel noir*** I. De Didon (Virgile) Scipion (Glissant)*** II. Regards autres sur Carthage*** III. De Virgile auteur Virgile protagoniste*** IV. Des Carthage aux Grands Chaos*** Appendice*** Bibliographie*** Index des auteurs, artistes, traducteurs, directeurs de volume*** Table des Matires***
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