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Chainsaws, Slackers, And Spy Kids: Thirty Years Of Filmmaking In Austin, Texas,New
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Winner, Peter C. Rollins Book Award, Southwest Texas Popular Culture Association/American Culture Association, 2011During The 1990S, Austin Achieved 'Overnight' Success And Celebrity As A Vital Place For Independent Filmmaking. Directors Richard Linklater And Robert Rodriguez Proved That Locally Made Films With Regional Themes Such As Slacker And El Mariachi Could Capture A National Audience. Their Success Helped Transform Austin'S Homegrown Film Community Into A Professional Film Industry Staffed With Talented, Experienced Filmmakers And Equipped With Stateofthe Artproduction Facilities. Today, Austin Struggles To Balance The Growth And Expansion Of Its Film Community With An Ongoing Commitment To Nurture The Next Generation Of Independent Filmmakers.Chainsaws, Slackers, And Spy Kids Chronicles The Evolution Of This Struggle By Recreating Austin'S Colorful Movie History. Based On Revealing Interviews With Richard Linklater, Robert Rodriguez, Mike Judge, Quentin Tarantino, Matthew Mcconaughey, George Lucas, And More Than One Hundred Other Players In The Local And National Film Industries, Alison Macor Explores How Austin Has Become A Proving Ground For Contemporary Independent Cinema. She Begins In The Early 1970S With Tobe Hooper'S Horror Classic, The Texas Chainsaw Massacre, And Follows The Development Of The Austin Film Scene Through 2001 With The Production And Release Of Rodriguez'S $100Million Blockbuster, Spy Kids. Each Chapter Explores The Behindthescenes Story Of A Specific Movie, Such As Linklater'S Dazed And Confused And Judge'S Office Space, Against The Backdrop Of Austin'S Everexpanding Film Community.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: How many pages does the book have? A: The book has three hundred ninety-two pages. This extensive length allows for a detailed exploration of Austin's filmmaking history.
- Q: What are the dimensions of the book? A: The book measures six inches in length, zero point nine one inches in width, and nine point zero two inches in height. These dimensions make it convenient for reading and storage.
- Q: What type of binding does the book have? A: The book is paperback bound. This binding style is lightweight and flexible, making it easy to handle.
- Q: Who is the author of the book? A: The author of the book is Alison Macor. She has researched extensively on Austin's film history.
- Q: What genre does this book belong to? A: The book belongs to the Performing Arts genre. It specifically focuses on filmmaking and cinema history.
- Q: How do I read this book? A: You can read this book by simply opening it and starting from the first chapter. It's structured to provide insights into Austin's filmmaking evolution.
- Q: Is this book suitable for children? A: Yes, this book is suitable for older children interested in filmmaking. However, parental guidance is advised for younger readers due to complex themes.
- Q: What themes are explored in this book? A: The book explores themes of independent filmmaking, regional storytelling, and the evolution of Austin's film community. It also discusses notable films and filmmakers.
- Q: How do I care for this book? A: To care for this book, keep it in a dry place and avoid exposure to direct sunlight. This will help maintain its condition over time.
- Q: Can I clean the book if it gets dirty? A: Yes, you can clean the book by gently wiping the cover with a soft, dry cloth. Avoid using liquid cleaners to prevent damage.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, contact the seller for a return or replacement. Most sellers have policies in place for such situations.
- Q: Is there a warranty for this book? A: No, there is typically no warranty for books. However, check with the seller for their specific return policies.
- Q: How does this book compare to other filmmaking books? A: This book provides a unique regional perspective on independent filmmaking in Austin, distinguishing it from more general filmmaking literature.
- Q: Is this book good for beginners in film studies? A: Yes, this book is excellent for beginners in film studies. It provides foundational knowledge about the evolution of independent film.
- Q: What if I'm not interested in filmmaking? Should I still read this book? A: Yes, even if you're not interested in filmmaking, this book offers insights into cultural history and storytelling, which can be engaging for a broader audience.