Title
Christian Iconography: A Study Of Its Origins (A.W. Mellon Lectures In The Fine Arts, Bollingen Series, 35, 10),Used
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An Illuminating Look At The Iconography Of The Early Church And Its Important Place In The History Of Christian Artchristian Iconography Examines How The Earliest Christian Images Were Created And Sheds Light On The Role They Played Alongside Other Forms Of Christian Piety In Their Day. Andr Grabar Looks At The Most Characteristic Examples Of Paleochristian Iconography, Dwelling On Their Nature, Form, And Content. He Explores The Limits Of Originality In Such Art, Its Debt To Figurative Art, And The Cultural Climate In The Roman Empire More Broadly, Drawing A Distinction Between Expressive Imagesthat Is, Genuine Works Of Artand Informative Ones. Enriching Our Understanding Of Early Christian Art, This Classic Book Shows How Early Christian Iconography Assimilated Contemporary Imagery. It Establishes The Importance Of Imperial Iconography In The Development Of Christian Portraits And Discusses Dogmas Expressed In Single And Juxtaposed Images.
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Frequently Asked Questions
- Q: What is the main focus of 'Christian Iconography: A Study of Its Origins'? A: The book primarily explores the iconography of the early church and its significance in the history of Christian art, examining how early Christian images were created and their role in religious expression.
- Q: Who is the author of this book? A: The author is André Grabar, a noted art historian known for his work on early Christian art and iconography.
- Q: What is the condition of the used book? A: This is a used book in good condition, ensuring it is still readable and usable for study.
- Q: How many pages does the book contain? A: The book contains 432 pages, providing a comprehensive exploration of its subject matter.
- Q: What type of binding does this book have? A: The book is available in paperback binding, making it lightweight and portable.
- Q: When was 'Christian Iconography' first published? A: The book was first published on January 1, 1968, and has been influential in the study of Christian art since then.
- Q: What topics are covered in the book? A: The book covers topics such as the nature and form of paleo-Christian iconography, the influence of imperial iconography on Christian portraits, and the distinction between expressive and informative images.
- Q: Is this book suitable for academic study? A: Yes, this book is suitable for academic study as it provides in-depth analysis and insights into early Christian art and iconography.
- Q: What is the significance of early Christian images according to the book? A: According to the book, early Christian images played an important role in expressing religious piety and assimilating contemporary imagery, influencing the development of Christian art.
- Q: Does this book include illustrations or images? A: While the specific content of illustrations is not mentioned, books of this nature often include images or diagrams to support the discussion of iconography.