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Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer,
birth defects, or other reproductive harm.
Q: What is the main theme of 'Cinema 1: The Movement-Image'?A: The main theme of 'Cinema 1: The Movement-Image' is the exploration of the theoretical implications of the cinematographic image, particularly through the lens of Henri Bergson's theories on time and perception.
Q: Who is the author of this book?A: The author of 'Cinema 1: The Movement-Image' is Gilles Deleuze, a renowned French philosopher known for his work on cinema, literature, and art.
Q: What is the published date of this book?A: The book was published on October 1, 1986.
Q: How many pages does 'Cinema 1: The Movement-Image' have?A: 'Cinema 1: The Movement-Image' contains 264 pages.
Q: What type of binding does this book have?A: 'Cinema 1: The Movement-Image' is available in paperback binding.
Q: Is this book in new condition?A: Yes, 'Cinema 1: The Movement-Image' is in new condition.
Q: What category does this book fall under?A: 'Cinema 1: The Movement-Image' falls under the category of Performing Arts.
Q: What edition is 'Cinema 1: The Movement-Image'?A: This book is a First Edition.
Q: Is there any specific material used in this book?A: The material used in 'Cinema 1: The Movement-Image' is not specified.
Q: Can this book be used as a textbook for film theory courses?A: 'Cinema 1: The Movement-Image' is often recommended for film theory courses, especially those focusing on the philosophy of cinema and the analysis of film as an art form.
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