Title
Cinema And Painting: How Art Is Used In Film,New
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The Visual Image Is The Common Denominator Of Cinema And Painting, And Indeed Many Filmmakers Have Used The Imagery Of Paintings To Shape Or Enrich The Meaning Of Their Films. In This Discerning New Approach To Cinema Studies, Angela Dalle Vacche Discusses How The Use Of Pictorial Sources In Film Enables Eight Filmmakers To Comment On The Interplay Between The Arts, On The Dialectic Of Word And Image, On The Relationship Between Artistic Creativity And Sexual Difference, And On The Tension Between Tradition And Modernity.Specifically, Dalle Vacche Explores Jeanluc Godard'S Iconophobia (Pierrot Le Fou) And Andrei Tarkovsky'S Iconophilia (Andrei Rubleov), Kenji Mizoguchi'S Split Allegiances Between East And West (Five Women Around Utamaro), Michelangelo Antonioni'S Melodramatic Sensibility (Red Desert), Eric Rohmer'S Project To Convey Interiority Through Images (The Marquise Of O), F. W. Murnau'S Debt To Romantic Landscape Painting (Nosferatu), Vincente Minnelli'S Affinities With American Abstract Expressionism (An American In Paris), And Alain Cavalier'S Use Of Still Life And The Closeup To Explore The Realms Of Mysticism And Femininity (Thrse).While Addressing Issues Of Influence And Intentionality, Dalle Vacche Concludes That Intertextuality Is Central To An Appreciation Of The Dialogical Nature Of The Filmic Medium, Which, In Appropriating Or Rejecting Art History, Defines Itself In Relation To National Traditions And Broadly Shared Visual Cultures.
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We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of 'Cinema and Painting: How Art Is Used in Film'? A: The book explores the relationship between cinema and painting, discussing how filmmakers incorporate pictorial sources to enhance the meaning of their films.
- Q: Who is the author of this book? A: The author of 'Cinema and Painting: How Art Is Used in Film' is Angela Dalle Vacche.
- Q: What types of films are analyzed in this book? A: The book analyzes films from directors such as Jean-Luc Godard, Andrei Tarkovsky, Kenji Mizoguchi, Michelangelo Antonioni, Eric Rohmer, F. W. Murnau, Vincente Minnelli, and Alain Cavalier.
- Q: How many pages does the book have? A: The book contains 320 pages.
- Q: What is the publication date of this book? A: The book was published on March 1, 1996.
- Q: Is 'Cinema and Painting' a hardcover or paperback edition? A: This edition of 'Cinema and Painting: How Art Is Used in Film' is a paperback.
- Q: What themes does Angela Dalle Vacche discuss in relation to film and art? A: Dalle Vacche discusses themes such as the interplay between arts, the relationship of word and image, and the tension between tradition and modernity.
- Q: Does the book contain any illustrations or images? A: While the book primarily focuses on textual analysis, it may reference key artworks, but it does not primarily serve as an illustrated guide.
- Q: Is this book suitable for academic study? A: Yes, 'Cinema and Painting: How Art Is Used in Film' is suitable for academic study, particularly in cinema studies and art history courses.
- Q: What is the condition of the book? A: The book is listed as 'New', indicating it is in pristine condition.