Cinema Babel: Translating Global Cinema,New

Cinema Babel: Translating Global Cinema,New

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The original foreign filmits sights and soundsis available to all, but the viewer is utterly dependent on a translator and an untold number of technicians who produce the graphic text or disconnected speech through which we must approach the foreign film. A bad translation can ruin a films beauty, muddy its plot, and turn any joke sour.In this wideranging work, Ab Mark Nornes examines the relationships between movingimage media and translation and contends that film was a globalized medium from its beginning and that its transnational traffic has been greatly influenced by interpreters. He discusses the translation of film theory, interpretation at festivals and for coproductions, silent era practice, talkies, subtitling, and dubbing.Norneswho has written subtitles for Japanese cinemalooks at the ways misprision of theory translations produced stylistic change, how silent era lecturers contributed to the construction of national cinemas, how subtitlers can learn from anime fans, and how ultimately interpreters can be, in his terms, traders or traitors.Ab Mark Nornes is associate professor of Asian languages and cultures and film and video studies at the University of Michigan. He is the author of Japanese Documentary Film (Minnesota, 2003) and Forest of Pressure (Minnesota, 2007).

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Frequently Asked Questions

  • Q: What is the main theme of 'Cinema Babel: Translating Global Cinema'? A: The main theme of 'Cinema Babel' is the intricate relationship between film and translation, highlighting how translation impacts the viewing experience of foreign films and the global nature of cinema.
  • Q: Who is the author of the book? A: The author of 'Cinema Babel' is Abé Mark Nornes, who is an associate professor at the University of Michigan.
  • Q: What are some key topics covered in this book? A: Key topics include the translation of film theory, the role of interpreters in festivals, subtitling, dubbing, and the historical practices of silent film lecturers.
  • Q: Is this book suitable for someone interested in film studies? A: Yes, this book is particularly suitable for students and scholars of film studies, translation studies, and those interested in the cultural implications of cinema.
  • Q: What type of book is 'Cinema Babel'? A: 'Cinema Babel' is a scholarly book focusing on the intersection of film and translation, making it a valuable resource for academic study.
  • Q: How many pages does this book have? A: 'Cinema Babel: Translating Global Cinema' has 304 pages.
  • Q: What is the publication date of this book? A: The book was published on December 27, 2007.
  • Q: What is the condition of the book available for purchase? A: The book is classified as a 'Used Book in Good Condition'.
  • Q: What format is the book available in? A: The book is available in paperback format.
  • Q: Does the book discuss the role of subtitles in cinema? A: Yes, the book discusses subtitling as a key aspect of translating films and its influence on viewers' understanding of foreign cinema.