Title
Classics For The Masses: Shaping Soviet Musical Identity Under Lenin And Stalin
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Musicologist Pauline Fairclough Explores The Evolving Role Of Music In Shaping The Cultural Identity Of The Soviet Union In A Revelatory Work That Counters Certain Hitherto Accepted Views Of An Unbending, Unchanging State Policy Of Repression, Censorship, And Dissonance That Existed In All Areas Of Soviet Artistic Endeavor. Newly Opened Archives From The Leninist And Stalinist Eras Have Shed New Light On Soviet Concert Life, Demonstrating How The Music Of The Past Was Used To Help Mold And Deliver Cultural Policy, How Undesirable Repertoire Was Weeded Out During The 1920S, And How Russian And Nonrussian Composers Such As Mozart, Tchaikovsky, Wagner, Bach, And Rachmaninov Were Canonized During Different, Distinct Periods In Stalinist Culture. Faircloughs Fascinating Study Of The Evershifting Soviet Musicalpolitical Landscape Identifies 1937 As The Start Of A Cultural Cold War, Rather Than Occurring Postworld War Two, As Is Often Maintained, While Documenting The Efforts Of Musicians And Bureaucrats During This Period To Keep Musical Channels Open Between Russia And The West.
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- Q: What is the page count of this book? A: This book has two hundred ninety-six pages. It provides an in-depth analysis of Soviet musical identity under Lenin and Stalin.
- Q: What is the binding type of this book? A: The book is hardcover. This ensures durability and a professional appearance, making it suitable for both reading and display.
- Q: What are the dimensions of the book? A: The book measures nine point four one inches in length, six point four two inches in width, and one point one inches in height. These dimensions make it a manageable size for reading.
- Q: Who is the author of the book? A: The author is Pauline Fairclough. She is a musicologist who specializes in the cultural history of music in the Soviet Union.
- Q: What is the main topic of this book? A: The main topic is the role of music in shaping Soviet cultural identity. It challenges previous perceptions of Soviet music as purely repressive.
- Q: What genre does this book belong to? A: This book falls under the category of History and Criticism. It explores historical events through the lens of musical development.
- Q: How does this book approach the subject of Soviet music? A: The book provides a detailed examination of newly opened archives. It discusses how music influenced and reflected Soviet cultural policies.
- Q: Is this book suitable for academic study? A: Yes, it is suitable for academic study. The rigorous research and analysis make it a valuable resource for students and scholars of music history.
- Q: What insights does the book offer about Soviet composers? A: The book reveals how composers like Mozart and Tchaikovsky were canonized in Soviet culture. It documents the selective promotion of certain works during different political periods.
- Q: Does the book discuss the cultural Cold War? A: Yes, it identifies nineteen thirty-seven as the start of a cultural Cold War. This perspective shifts the timeline of cultural tensions in Soviet history.
- Q: How does the author support her arguments? A: The author supports her arguments with evidence from newly opened archives. This includes critical insights into the interactions between musicians and the state.
- Q: Is there a focus on censorship in the book? A: Yes, the book discusses censorship extensively. It highlights how certain musical works were deemed 'undesirable' and removed from repertoires.
- Q: What is the publisher of this book? A: The publisher is Yale University Press. This reputable publisher is known for its scholarly works in various fields.
- Q: What audience is this book intended for? A: This book targets readers interested in music history, cultural studies, and Soviet history. It caters to both casual readers and academics.
- Q: Can this book be used for reference in research projects? A: Yes, it can be used as a reference in research projects. Its comprehensive analysis and scholarly citations make it a reliable source.