Title
Color and the Moving Image: History, Theory, Aesthetics, Archive (AFI Film Readers),Used
Delivery time: 8-12 business days (International)
This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with colorsuch as Hitchcock, Jarman and Sirkas well as others whose use of color has not yet been explored in such detailincluding Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.
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Shipping & Returns
Shipping
We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of 'Color and the Moving Image'? A: The book explores the use of color in film through a collection of original essays, assessing its historical, theoretical, and aesthetic significance.
- Q: Who are the contributors to this collection? A: Contributors come from diverse film studies backgrounds, including scholars who specialize in various aspects of color in cinema.
- Q: What types of films are discussed in this book? A: The book examines works from key directors known for their use of color, such as Hitchcock, Jarman, and Sirk, as well as those less explored like Eric Rohmer and the Coen Brothers.
- Q: Is this book suitable for beginners in film studies? A: Yes, 'Color and the Moving Image' is an excellent resource for both beginners and advanced students in film studies courses.
- Q: How many pages does the book have? A: The book contains 286 pages.
- Q: What is the publication date of this book? A: The book was published on November 19, 2012.
- Q: What is the condition of the book? A: The book is listed as 'New'.
- Q: What type of binding does this book have? A: The book is available in paperback binding.
- Q: Can this book be useful for film archiving professionals? A: Yes, it is a valuable resource for the global film archiving community, addressing both aesthetics and restoration techniques.
- Q: Is there an edition number for this book? A: This book is the first edition.