Title
Colour, Light And Wonder In Islamic Art,New
Sold by Ergodebooks, an authorized reseller.
Returns accepted within 30 days | support@ergodebooks.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 1–3 business days
- Estimated Delivery: 3–5 business days after dispatch
- Double-boxed, fully insured & discreetly packaged
- Tracking number sent via email once dispatched
- Orders over $250 require signature upon delivery. Taxes calculated at checkout.
Returns & Refund
Returns accepted within 30 days of delivery.
Damaged or Defective Item
Free return shipping + replacement or full refund
Wrong Item Received
Free return shipping + replacement or full refund
Change of Mind
Return shipping at customer's expense · 25% restocking fee applies
Payment Option
The Experience Of Colour In Islamic Visual Culture Has Historically Been Overlooked. In His Approach To The Study Of Colour In Islamic Art, Trevathan Creates Meaningful Dialogue Between Artistic Production, Artistic Media, And The Intellectual, Aesthetic And Philosophical Concepts Relating To The Subject. Here, He Proposes An Enlightened New Approach To The Way We Consider Colour In Islamic Art And Architecture. Examining Works In Relation To Their Aesthetic Contexts, He Reveals The Relevance Of Choice Colours Used In Artworks, Which In Turn Provides Insights Into The Premodern Muslim Experience Of Colour And Aesthetics.The Seventeenthcentury Masjidi Shah Mosque In Isfahan, Iran, Represents One Of The Finest Examples Of Colouruse On A Grand Scale. The Building Of Masjidi Shah Emerged Alongside, Or As A Result Of, A Culmination Of Writings On Light And Colour By Some Of The Most Important Scholars In Islamic And Persian History. Trevathan Examines The Philosophical And Mystical Traditions That Formed The Backdrop Of The Masjidi Shah, Revealing The Differences In How Such Artworks Were Conceptualized At The Time Of Creation And How They Are Received Today.Through Addressing The Artistic Production Of This Masterpiece Of Islamic Architecture, Trevathan Shows That The Careful Combination Of Colour And Design Proportions In Islamic Patterns Expresses Knowledge Beyond Those Perceived In The Corporeal World. This Includes How The Experience Of Bright And Luminous Colours May Have Served An Epistemological Function Leading Towards A Noetic Understanding Of God. This Suggests That A Broader Consideration Of Islamic Aesthetics Is Required, One That Encompasses The Potential For Sensual Experience To Prompt A Journey Beyond Sentient Knowledge.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.