Title
Conceptual Art: A Critical Anthology,Used
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Compared To Other Avantgarde Movements That Emerged In The 1960S, Conceptual Art Has Received Relatively Little Serious Attention By Art Historians And Critics Of The Past Twentyfive Yearsin Part Because Of The Difficult, Intellectual Nature Of The Art. This Lack Of Attention Is Particularly Striking Given The Tremendous Influence Of Conceptual Art On The Art Of The Last Fifteen Years, On Critical Discussion Surrounding Postmodernism, And On The Use Of Theory By Artists, Curators, Critics, And Historians.This Landmark Anthology Collects For The First Time The Key Historical Documents That Helped Give Definition And Purpose To The Movement. It Also Contains More Recent Memoirs By Participants, As Well As Critical Histories Of The Period By Some Of Today'S Leading Artists And Art Historians. Many Of The Essays And Artists' Statements Have Been Translated Into English Specifically For This Volume. A Good Portion Of The Exchange Between Artists, Critics, And Theorists Took Place In Difficulttofind Limitededition Catalogs, Small Journals, And Private Correspondence. These Influential Documents Are Gathered Here For The First Time, Along With A Number Of Previously Unpublished Essays And Interviews.Contributors: Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raal Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol Lewitt, Lucy Lippard, Lee Lozano, Kynaston Mcshine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Halio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson.
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To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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We provide a 2-year limited warranty, from the date of purchase for all our products.
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This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of 'Conceptual Art: A Critical Anthology'? A: The anthology primarily focuses on defining and exploring the movement of conceptual art, highlighting its historical significance and influence on contemporary art and critical discussions.
- Q: Who are the contributors to this anthology? A: Contributors include notable figures such as Alexander Alberro, Mel Bochner, Lucy Lippard, Joseph Kosuth, and many others who are influential in the fields of art history and conceptual art.
- Q: What type of content can I expect in this book? A: The book contains a collection of key historical documents, essays, artists' statements, and critical histories related to conceptual art, many of which are translated into English specifically for this volume.
- Q: When was 'Conceptual Art: A Critical Anthology' published? A: The anthology was published on September 24, 1999.
- Q: What is the format of the book? A: The book is available in a hardcover format, which provides durability and a premium feel.
- Q: How many pages does the anthology contain? A: The anthology contains a total of 569 pages.
- Q: Is this book suitable for beginners in art? A: While the book features complex intellectual discussions, it serves as a valuable resource for both beginners and those already familiar with conceptual art, providing foundational insights into the movement.
- Q: Are there any previously unpublished works included in this anthology? A: Yes, the anthology includes previously unpublished essays and interviews that offer new perspectives on conceptual art.
- Q: Can this book be useful for art historians? A: Absolutely, the anthology is a critical resource for art historians as it compiles essential documents and critical analyses that define the conceptual art movement.
- Q: What edition of the book is available? A: This is the first edition of 'Conceptual Art: A Critical Anthology.'