Contact Zones: Memory, Origin, And Discourses In Black Diasporic Cinema (Contemporary Approaches To Film And Media Studies),New

Contact Zones: Memory, Origin, And Discourses In Black Diasporic Cinema (Contemporary Approaches To Film And Media Studies),New

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SKU: DADAX0814330991
UPC: 9780814330999
Brand: Wayne State University Press
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Created At The Crossroads Of Slavery, Migration, And Exile, And Comprising A Global Population, The Black Diaspora Is A Diverse Space Of Varied Histories, Experiences, And Goals. Likewise, Black Diasporic Film Tends To Focus On The Complexities Of Transnational Identity, Which Oscillates Between Similarity And Difference And Resists Easy Categorization. In Contact Zones Author Sheila J. Petty Addresses A Range Of Filmmakers, Theorists, And Issues In Black Diasporic Cinema, Highlighting Their Ongoing Influences On Contemporary Artistic And Theoretical Discourses.Petty Examines Both Anglophone And Francophone Films And Theorists, Divided According To This Volume'S Three Thematic Sectionsslavery, Migration And Exile, And Beyond Borders. The Feature Films And Documentaries Consideredwhich Include Sankofa, Daughters Of The Dust, The Man By The Shore, And Rude, Among Othersrepresent A Wide Range Of Cultures And Topics. Through Close Textual Analysis That Incorporates The Work Of Wellknown Diasporic Thinkers Like W. E. B. Dubois, Aim Csaire, And Frantz Fanon Along With Contemporary Notables Such As Molefi Kete Asante, Bell Hooks, Clenora Hudsonweems, Ren Depestre, Paul Gilroy, And Rinaldo Walcott, Petty Details The Unique Ways In Which Black Diasporic Films Create Meaning.By Exploring A Variety Of African American, Caribbean, Black British, And African Canadian Perspectives, Contact Zones Provides A Detailed Survey Of The Diversity And Vitality Of Black Diasporic Contributions To Cinema And Theory. This Volume Will Be A Welcome Addition To The Libraries Of Scholars And Students Of Film Studies And Africana Studies.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: How many pages does the book have? A: This book contains two hundred ninety-five pages. It provides a comprehensive exploration of black diasporic cinema.
  • Q: What is the binding type of this book? A: The book is available in paperback binding. This makes it lightweight and flexible for reading.
  • Q: What are the dimensions of the book? A: The book measures five point ninety-eight inches in length, zero point seventy-five inches in width, and nine point zero two inches in height. These dimensions make it easy to handle.
  • Q: Who is the author of this book? A: The author of the book is Sheila J. Petty. She critically examines various aspects of black diasporic cinema.
  • Q: What is the main theme of the book? A: The main theme revolves around the complexities of black diasporic cinema. It highlights the diverse histories and identities within the black diaspora.
  • Q: Is this book suitable for academic study? A: Yes, this book is suitable for academic study. It serves as a valuable resource for scholars and students in film studies and Africana studies.
  • Q: How can I best utilize this book for my research? A: You can utilize this book by exploring its thematic sections and close textual analyses. It includes references to key filmmakers and theorists.
  • Q: Is this book appropriate for beginner readers? A: Yes, the book is appropriate for beginner readers in film studies. It presents complex ideas in an accessible manner.
  • Q: Can this book help me understand black diasporic cinema better? A: Yes, this book offers in-depth insights into black diasporic cinema. It examines the influences of various filmmakers and theorists.
  • Q: How should I care for this paperback book? A: To care for this paperback book, keep it away from moisture and direct sunlight. Store it upright or flat to avoid bending.
  • Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for a return or exchange. Most sellers have policies in place for such issues.
  • Q: Is there a warranty for this book? A: No, there is typically no warranty for books. However, check the seller's return policy for any guarantees.
  • Q: Can I return this book if I don't like it? A: Yes, you can usually return this book if you don’t like it. Be sure to check the specific return policy of the seller.
  • Q: Is this book suitable for young adults? A: Yes, this book is suitable for young adults interested in film studies. It covers themes relevant to contemporary cinema.
  • Q: What is the publisher of this book? A: The book is published by Wayne State University Press. This publisher specializes in academic and scholarly works.
  • Q: Does the book discuss any specific films? A: Yes, the book discusses films like 'Sankofa' and 'Daughters of the Dust.' It analyzes their cultural significance within black diasporic cinema.

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