Title
Counterpoint: The Polyphonic Vocal Style Of The Sixteenth Century (Dover Books On Music: Analysis)-used
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This Classic Introductory Text Focuses On The Polyphonic Vocal Style Perfected By Palestrina. Unlike Many Other Texts, It Maintains A Careful Balance Between Theoretical And Practical Problems, Between Historical And Systematic Methodology. The Result Is An Exceptionally Useful Resource, Ideal For Classroom Use In Teaching Modal Counterpoint.In Part One, Knud Jeppesen (18921974), The Worldrenowned Musicologist And Leading Authority On Palestrina, Offers A Superb Outline History Of Contrapuntal Theory. He Begins By Exploring The Beginnings Of Contrapuntal Theory From The Ninth To The Fourteenth Centuries. This Is Followed By Separate Discussions Of Each Succeeding Century, The Styles Of Palestrina And Bach, The 'Palestrina Movement' After Fux, And More. The Section Ends With Illuminating Coverage Of Notation, The Ecclesiastical Modes, Melody, And Harmony.The Second Part Of The Book Contains An Extended Treatment Of 'Species' Counterpoint In Two, Three, And Four Parts, As Well As Counterpoint In More Than Four Parts, And Specific Discussions Of The Canon, The Motet, And The Mass. Throughout, The Text Is Generously Supplied With Musical Examplesexercises, Solutions, And Illustrations, Including Many By The Great Composers. For This Edition, The Distinguished Scholar Alfred Mann Has Contributed A New Foreword To Jeppesen'S Classic Study. Now Available In Paperback For The First Time, It Will Be Welcomed By Musicians, Composers, Theorists, Musicologistsany Student Of Counterpoint And The Western Musical Tradition.
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- Q: What is the main focus of 'Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century'? A: The book primarily focuses on the polyphonic vocal style perfected by Palestrina, offering a balanced approach between theoretical concepts and practical applications in modal counterpoint.
- Q: Who is the author of this book? A: The book is authored by Knud Jeppesen, a renowned musicologist and authority on Palestrina.
- Q: What does the first part of the book cover? A: The first part outlines the history of contrapuntal theory, discussing its development from the ninth to the fourteenth centuries, and includes analysis of styles from Palestrina and Bach.
- Q: Is this book suitable for beginners in music theory? A: Yes, this classic introductory text is designed to be exceptionally useful for students and educators in understanding modal counterpoint.
- Q: What kind of musical examples are included in the book? A: The book includes a variety of musical examples, exercises, solutions, and illustrations from great composers to enhance understanding of counterpoint.
- Q: Is there any new content in this edition? A: Yes, this edition features a new foreword contributed by the distinguished scholar Alfred Mann.
- Q: How many pages does the book have? A: The book contains 320 pages.
- Q: What is the binding type of the book? A: The book is available in paperback binding.
- Q: When was the book published? A: The book was published on March 27, 1992.
- Q: Does the book cover counterpoint in multiple parts? A: Yes, the second part of the book discusses 'species' counterpoint in two, three, and four parts, as well as counterpoint in more than four parts.