Title
Critical Readings in Impressionism and PostImpressionism: An Anthology,Used
Sold by Ergodebooks, an authorized reseller.
Returns accepted within 30 days | support@ergodebooks.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 1–3 business days
- Estimated Delivery: 3–5 business days after dispatch
- Double-boxed, fully insured & discreetly packaged
- Tracking number sent via email once dispatched
- Orders over $250 require signature upon delivery. Taxes calculated at checkout.
Returns & Refund
Returns accepted within 30 days of delivery.
Damaged or Defective Item
Free return shipping + replacement or full refund
Wrong Item Received
Free return shipping + replacement or full refund
Change of Mind
Return shipping at customer's expense · 25% restocking fee applies
Payment Option
The essays in this wideranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and PostImpressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenthcentury Franceincluding detailed looks at Monet, Manet, Pissarro, Degas, Czanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avantgarde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and PostImpressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of indepth critical analysis and of the competing art historical methods that have crucially reshaped the field.Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: How many pages does the book have? A: The book contains three hundred sixty-eight pages. This includes essays and illustrations that provide a comprehensive look at Impressionism and Post-Impressionism.
- Q: What is the binding type of this book? A: The binding type is paperback. This makes it lightweight and easy to handle for readers.
- Q: What are the dimensions of the book? A: The book measures seven point twenty-five inches in length, zero point eighty-eight inches in width, and nine point twenty-five inches in height. These dimensions make it suitable for easy storage and reading.
- Q: Who is the author of this anthology? A: The main author is Mary Tompkins Lewis. She collaborates with various contributors to provide diverse perspectives on the art discussed in the book.
- Q: What is the genre of this book? A: The book falls under the genre of criticism. It focuses on the theoretical and historical analysis of Impressionist and Post-Impressionist art.
- Q: How do I use this book for research? A: You can use this book as a scholarly resource for understanding Impressionism and Post-Impressionism. Each essay provides critical insights and analyses that can enhance your research.
- Q: Is this book suitable for beginners in art history? A: Yes, the book is suitable for beginners. While it contains in-depth essays, the writing is accessible and provides foundational knowledge on the subject.
- Q: Can this book be used in academic courses? A: Yes, this book is ideal for academic courses. It includes essays that are suitable for discussions and assignments in art history classes.
- Q: How should I store this book to keep it in good condition? A: Store the book upright on a shelf to prevent bending. Ensure it is kept in a cool, dry place away from direct sunlight to preserve its quality.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for a return or exchange. Most sellers have policies in place for damaged items.
- Q: Is there a warranty on this book? A: No, books typically do not come with a warranty. However, check with the seller for their specific return policy.
- Q: How can I clean this book if it gets dirty? A: To clean the book, gently wipe the cover with a soft, dry cloth. Avoid using water or cleaning solutions that could damage the pages.
- Q: What makes this book different from other art criticism books? A: This book is unique due to its collection of essays from diverse scholars, offering varied perspectives on Impressionism and Post-Impressionism. It reflects recent critical approaches and historical context.
- Q: Are there illustrations in this book? A: Yes, the book includes eight color illustrations. These visuals complement the essays and enhance the reader's experience.
- Q: Can I find specific artists discussed in this book? A: Yes, the book discusses notable artists such as Monet, Manet, Degas, and Van Gogh. Each essay explores their contributions and significance in the art world.
- Q: Is this book recommended for advanced art students? A: Yes, the book is recommended for advanced art students. It provides in-depth analysis and critical perspectives that can enhance their understanding of the subject.