Title
CrossDressing in Chinese Opera,Used
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The enchantment of the figure of the male dan female impersonator remains a residual element in the cultural imagination of many contemporary Chinese societies. The various kinds of interpretive possibilities in the commanding tradition of crossdressing Chinese opera have yet to be examined indepth. In order to discuss mistaken identity and gender issues as they relate to crossdressing on the Chinese operatic stage, this book examines a wide range of materials, including traditional dramatic texts, modern literary writings, critical writings (for example, quhua), opera paintings, and contemporary movies. The book explores gendering and gender differences that are constructed, reproduced, dismantled, and contested in this particularly rich site of Chinese culture.
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- Q: What is the main theme of 'Cross-Dressing in Chinese Opera'? A: The main theme of the book is the exploration of cross-dressing in Chinese opera, particularly focusing on the figure of the 'male dan' or female impersonator, and its implications on gender identity and mistaken identity within contemporary Chinese societies.
- Q: Who is the author of this book? A: The book is authored by Siu Leung Li, who examines various aspects of gender representation in the context of Chinese opera.
- Q: What kind of materials does this book analyze? A: The book analyzes a wide range of materials, including traditional dramatic texts, modern literary writings, critical writings, opera paintings, and contemporary movies to provide a comprehensive view of cross-dressing in Chinese culture.
- Q: How many pages does 'Cross-Dressing in Chinese Opera' have? A: The book contains a total of 304 pages.
- Q: What is the binding type of this book? A: The book is available in paperback binding.
- Q: When was 'Cross-Dressing in Chinese Opera' published? A: The book was published on April 1, 2003.
- Q: Is this book in good condition? A: Yes, it is a used book in good condition, which means it has been previously owned but is still suitable for reading.
- Q: What are the key features of the book? A: Key features of the book include its in-depth examination of gender issues related to cross-dressing in Chinese opera and its use of diverse materials for analysis.
- Q: What category does this book fall under? A: The book falls under the category of History & Criticism.
- Q: What insights does the book provide on gender differences? A: The book explores how gendering and gender differences are constructed, reproduced, dismantled, and contested within the rich cultural site of Chinese opera.