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If you have any questions, you are always welcome to contact us. We'll get back to you as soon as possible, withing 24 hours on weekdays.
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The comic book, the cartoon strip and the singlepanel gag are recurring motifs in twentiethcentury art, providing a platform for narrative, political critique, graphic clarity, and, of course, fun. Cult Fiction: Art & Comics examines the work of artists who produce comics and cartoons as part of their practice, as well as those who employ the language of the comic in their work, borrowing from stylistic sources across high and low culture. Accompanying a U.K. exhibition tour, and designed by Fantagraphics art director Jacob Covey, this catalogue's bold layout complements the artworks included in its pages. An essay by Paul Gravett, a writer and curator who has worked in comics publishing and promotion for over 20 years, illuminates the longstanding love affair between fine art and comics, emphasizing contemporary practitioners in Britain and the U.S., including Laylah Ali, Glen Baxter, Daniel Clowes, Liz Craft, R. Crumb, Adam Dant, Julie Doucet, Debbie Dreschler, Marcel Dzama, Mark Kalesniko, Kerstin Kartscher, Killoffer, Chad McCail, Paul McDevitt, Kerry James Marshall, Kim Pace, Raymond Pettibon, Olivia Plender, Jon Pylypchuk, James Pyman, Joe Sacco, David Shrigley, Posy Simmonds, Richard Slee, Carol Swain, Stphane Blanquet, Melinda Gebbie, Alan Moore and Travis Millard. Specially commissioned selfportraits and questionandanswer forms filled out by hand by all contributing artists make Cult Fiction oneofakind.
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