Title
Cultural Contact And The Making Of European Art Since The Age Of Exploration (Bettie Allison Rand Lectures In Art History)
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Art Historians Have Long Been Accustomed To Thinking About Art And Artists In Terms Of National Traditions. This Volume Takes A Different Approach, Suggesting Instead That A History Of Art Based On National Divisions Often Obscures The Processes Of Cultural Appropriation And Global Exchange That Shaped The Visual Arts Of Europe In Fundamental Ways Between 1492 And The Early Twentieth Century.Essays Here Analyze Distinct Zones Of Contactbetween Various European States, Between Asia And Europe, Or Between Europe And Socalled Primitive Cultures In Africa, The Americas, And The South Pacificfocusing Mainly But Not Exclusively On Painting, Drawing, Or The Decorative Arts. Each Case Foregrounds The Centrality Of International Borrowings Or Colonial Appropriations And Counters Conceptions Of European Art As A Pure Tradition Uninfluenced By The Artistic Forms Of Other Cultures. The Contributors Analyze The Social, Cultural, Commercial, And Political Conditions Of Cultural Contactincluding Tourism, Colonialism, Religious Pilgrimage, Trade Missions, And Scientific Voyagesthat Enabled These Exchanges Well Before The Modern Age Of Globalization.Contributors:Claire Farago, University Of Colorado At Boulderelisabeth A. Fraser, University Of South Floridajulie Hochstrasser, University Of Iowachristopher Johns, Vanderbilt Universitycarol Mavor, University Of North Carolina At Chapel Hillmary D. Sheriff, University Of North Carolina At Chapel Hilllyneise E. Williams, University Of North Carolina At Chapel Hill
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This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of 'Cultural Contact and the Making of European Art since the Age of Exploration'? A: This book explores how cultural appropriation and global exchange influenced European art from 1492 to the early twentieth century, challenging traditional views based on national divisions.
- Q: Who are the contributors to this volume? A: The book features essays from several scholars, including Claire Farago, Elisabeth A. Fraser, Julie Hochstrasser, Christopher Johns, Carol Mavor, Mary D. Sheriff, and Lyneise E. Williams.
- Q: What types of art does this book analyze? A: The essays primarily focus on painting, drawing, and decorative arts, examining the interactions between European and non-European cultures.
- Q: What is the publication date of this book? A: The book was published on August 1, 2012.
- Q: What is the condition of the book? A: The item is listed as 'Acceptable' condition, which may include signs of wear and tear.
- Q: How many pages does this book have? A: The book contains 240 pages.
- Q: What type of binding does this book have? A: This edition is a paperback binding.
- Q: Is there a particular edition of this book? A: Yes, this is a 'New edition' of the work.
- Q: What major themes are explored in the essays? A: The essays analyze themes such as cultural contact, colonial appropriations, and the social, cultural, commercial, and political conditions that facilitated art exchanges.
- Q: In which category is this book listed? A: The book is categorized under 'History'.