Title
Definitions of Art,Used
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In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in AngloAmerican philosophy during this period and, in the process, introduces his own perspective on ways in which we should reorient our thinking.Davies conceives of the debate as revealing two basic, conflicting approachesthe functional and the proceduralto the questions of whether art can be defined, and if so, how. As the author sees it, the functionalist believes that an object is a work of art only if it performs a particular function (usually, that of providing a rewarding aesthetic experience). By contrast the proceduralist believes that something is an artwork only if it has been created according to certain rules and procedures. Davies attempts to demonstrate the fruitfulness of viewing the debate in terms of this framework, and he develops new arguments against both points of viewalthough he is more critical of functional than of procedural definitions.Because it has generated so much of the recent literature, Davies starts his analysis with a discussion of Morris Weitz's germinal paper, 'The Role of Theory in Aesthetics.' He goes on to examine other important works by Arthur Danto, George Dickie, and Ben Tilghman and develops in his critiques original arguments on such matters of the artificiality of artworks and the relevance of artists' intentions.
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Frequently Asked Questions
- Q: What is the main subject of 'Definitions of Art'? A: 'Definitions of Art' explores the analytic philosophy of art, focusing on the definition of art as discussed in Anglo-American philosophy over the past thirty years.
- Q: Who is the author of 'Definitions of Art'? A: The author of 'Definitions of Art' is Stephen Davies, a philosopher known for his work in the field of aesthetics.
- Q: What are the two main approaches to defining art discussed in the book? A: The book discusses two conflicting approaches: the functional approach, which considers art based on its function, and the procedural approach, which defines art based on specific creation rules.
- Q: Is 'Definitions of Art' suitable for beginners in philosophy? A: While the book addresses complex philosophical debates, it can be suitable for beginners who have a keen interest in art theory, as it provides clear arguments and analyses.
- Q: What type of binding does 'Definitions of Art' have? A: 'Definitions of Art' is available in paperback binding, making it a lightweight and portable option for readers.
- Q: How many pages are in 'Definitions of Art'? A: 'Definitions of Art' contains a total of 256 pages, providing an in-depth exploration of its subject matter.
- Q: When was 'Definitions of Art' published? A: 'Definitions of Art' was published on May 1, 1991.
- Q: What condition is the book available in? A: 'Definitions of Art' is available as a used book in good condition, ensuring it remains accessible to readers interested in philosophical discussions.
- Q: Does the book include discussions of notable philosophers? A: Yes, the book discusses the works of notable philosophers such as Morris Weitz, Arthur Danto, and George Dickie, providing insights into their contributions to art theory.
- Q: What is the significance of Morris Weitz's paper mentioned in the book? A: Morris Weitz's paper, 'The Role of Theory in Aesthetics,' is significant as it serves as a foundational discussion in the analytic philosophy of art, which Davies uses as a starting point for his analysis.