
Title

Dialogical Genres: Empractical And Conversational Listening And Speaking (Cognition And Language: A Series In Psycholinguistics),Used
Delivery time: 8-12 business days (International)
Product DescriptionThis work gives a thorough revision of history through a psychological approach to verbal interaction between listeners and speakers. This book offers a large amount of information on the psychology of language and on psycholinguistics, and focuses on a new direction for a psychology of verbal communication. Empirical research includes media interviews, public speeches, and dramatic performances.From the Back CoverWhat happens in everyday dialogue? The authors revert to a rich prehistory to answer this question: Philipp Wegener in the late 19th and Karl Bhler in the first half of the 20th century in the German traditions of philology and psychology. Their work culminated in the concept empractical speech. This groundbreaking book opens up a new view of language use in settings in which participants are primarily involved not in speaking but in some nonlinguistic activity and in which the need for speech arises only occasionally. Behold empractical speech, a genre unto itself with respect to conversation an ubiquitous phenomenon of everyday life and the very setting of early language acquisition.The historical, theoretical, and empirical approaches of Dialogical Genres establish differences between empractical and conversational speech. The authors theoretical orientation is psychological. Their empirical methodology is quantitative and qualitative analysis of excerpts from feature films. Salient topics include: A revisionist history of psycholinguistic. Differences between empractical and conversational speech: more silence, fewer speaker changes, less syntactic structure. Psychological principles of all spoken dialogue: intersubjectivity, perspectivity, openendedness, verbal integrity. Social responsibility of listeners and speakers.Psychologists and other social communication scientists will find Dialogical Genres rewarding and provocative.This precise and nuanced book explores and situates one of the core features of the life of speech empractical speech that has been shunted aside by late 20th century theorists; it continues the work of the great masters, especially Philipp Wegener and Karl Bhler. With supplementary and rich contemporary means it reconfigures our ways of viewing a whole dimension of the life of language and the speakers and listeners who animate it and are animated by it. OConnell and Kowal have blended historical, theoretical, and empirical sides of their investigation into an elegant unityRobert E. Innis, Ph.D., University of Massachusetts Lowell, MA, USAThis book gives back to situational context the primacy it had in Philipp Wegeners and Karl Bhlers theories of language and communication. The focus is on empractical speech speech embedded in nonlinguistic activities. In this prototype of language use, language, action and context provide the threedimensional space of meaningmaking. In this process the listener is as important as the speaker, and silences are as important as words. This book is for everybody who wants to understand how language is put to work socially, practically, and interactionally in everyday life. Language does not exist. It happensBrigitte Nerlich, Ph.D., DLitt, University of Nottingham, UKAbout the AuthorThe authors are experimental psychologists who have been engaged in research together for more than 40 years now. Dan OConnell studied at St. Louis University and did doctoral work at the University of Illinois (Champaign/Urbana); Sabine Kowal studied at the Free University of Berlin and did doctoral work at St. Louis University. OConnells career was at St. Louis, Loyola of Chicago, and Georgetown Universities, while Kowals was at both the Technical University of Berlin and the Anna Freud Oberschule in Berlin. For many years, the team was oriented toward mainstream psycholinguistics and experimental research on speech production. Throughout the last decades of the 20th century, their interest shifted to spontaneo
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