Title
Disciplining Music: Musicology And Its Canons
Delivery time: 8-12 business days (International)
Provocative And Timely, Disciplining Music Confronts A Topic That Has Sparked Considerable Debate In Recent Years: How Do Musicians And Music Scholars Discipline Music In Their Efforts To Confer Order And Meaning On It? This Collection Of Essays Addresses This Issue By Formulating Questions About Music'S Canonsrules That Measure And Order, Negotiate Cultural Constraints, Reconstruct The Past, And Shape The Future. Written By Scholars Representing The Fields Of Historical Musicology, Ethnomusicology, And Music Theory, Many Of The Essays Tug And Push At The Very Boundaries Of These Traditional Division Within The Study Of Music.Fortunately, In A Blaze Of Goodhumored . . . Scholarship, [This] Book Helps Brains Unaccustomed To Thinking About The Future Without Jeopardizing The Past Imagine The Wonder Classicalmusic Life Might Become If It Embraced All People And All Musics.Laurence Vittes, Los Angeles ReaderThese Essays Will Force Us To Rethink Our Position On Many Issues. . . [And] Advance Musicology Into The Twentyfirst Century.Giulio Ongaro, American Music Teacherwith Essays By Katherine Bergeron, Philip V. Bohlman, Richard Cohn And Douglas Dempster, Philip Gossett, Robert P. Morgan, Bruno Nettl, Don Michael Randel, Ruth A. Solie, And Gary Tomlinson.
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Shipping
We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main topic of 'Disciplining Music: Musicology and Its Canons'? A: 'Disciplining Music' addresses how musicians and scholars create order and meaning in music, exploring the canons that shape cultural understanding and historical context.
- Q: Who are the authors contributing to this book? A: The book features essays from a range of scholars, including Katherine Bergeron, Philip V. Bohlman, Richard Cohn, Douglas Dempster, and several others.
- Q: What is the publication date of this book? A: 'Disciplining Music' was published on November 1, 1996.
- Q: What is the binding type of this book? A: This book is available in paperback binding.
- Q: How many pages does 'Disciplining Music' contain? A: The book contains a total of 227 pages.
- Q: What category does this book fall under? A: 'Disciplining Music' is categorized under History & Criticism.
- Q: Is 'Disciplining Music' suitable for beginners in musicology? A: While it contains advanced discussions, the essays are thought-provoking and can provide insights for those interested in musicology, though some prior knowledge may enhance understanding.
- Q: What kind of essays can readers expect from this collection? A: Readers can expect a variety of essays that challenge traditional views in musicology and explore the intersections of historical musicology, ethnomusicology, and music theory.
- Q: What is the condition of the book being sold? A: The book is listed as 'New', ensuring it is in pristine condition for readers.
- Q: What themes are explored in the essays featured in 'Disciplining Music'? A: The essays explore themes such as the negotiation of cultural constraints, the reconstruction of the past, and the shaping of music's future.