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Disciplining Music: Musicology And Its Canons
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Provocative And Timely, Disciplining Music Confronts A Topic That Has Sparked Considerable Debate In Recent Years: How Do Musicians And Music Scholars Discipline Music In Their Efforts To Confer Order And Meaning On It? This Collection Of Essays Addresses This Issue By Formulating Questions About Music'S Canonsrules That Measure And Order, Negotiate Cultural Constraints, Reconstruct The Past, And Shape The Future. Written By Scholars Representing The Fields Of Historical Musicology, Ethnomusicology, And Music Theory, Many Of The Essays Tug And Push At The Very Boundaries Of These Traditional Division Within The Study Of Music.Fortunately, In A Blaze Of Goodhumored . . . Scholarship, [This] Book Helps Brains Unaccustomed To Thinking About The Future Without Jeopardizing The Past Imagine The Wonder Classicalmusic Life Might Become If It Embraced All People And All Musics.Laurence Vittes, Los Angeles ReaderThese Essays Will Force Us To Rethink Our Position On Many Issues. . . [And] Advance Musicology Into The Twentyfirst Century.Giulio Ongaro, American Music Teacherwith Essays By Katherine Bergeron, Philip V. Bohlman, Richard Cohn And Douglas Dempster, Philip Gossett, Robert P. Morgan, Bruno Nettl, Don Michael Randel, Ruth A. Solie, And Gary Tomlinson.
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- Q: What is the page count of 'Disciplining Music'? A: The book has two hundred twenty-seven pages. It provides a comprehensive exploration of musicology and its canons.
- Q: What type of binding does this book have? A: This book is available in paperback binding. This makes it more portable and accessible for readers.
- Q: How large is 'Disciplining Music'? A: The dimensions of the book are six inches in length, nine inches in height, and zero point nine one inches in width. These dimensions make it easy to handle.
- Q: Who is the author of this book? A: The author of 'Disciplining Music' is Katherine Bergeron. She is a prominent figure in the field of musicology.
- Q: What genre does 'Disciplining Music' fall under? A: This book falls under the genre of History & Criticism. It engages with various musicological debates and canons.
- Q: Is this book suitable for beginners in musicology? A: Yes, this book is suitable for beginners. It presents complex ideas in an accessible manner, fostering an understanding of music's discipline.
- Q: What themes are explored in 'Disciplining Music'? A: The book explores themes of music canons, cultural constraints, and the negotiation of music's meaning. It provokes thought and debate on these issues.
- Q: Can I use this book for academic research? A: Yes, this book can be used for academic research. It features essays by various scholars, making it a credible source for musicology studies.
- Q: Are there any notable contributors to this book? A: Yes, the book includes essays by prominent scholars like Philip V. Bohlman and Richard Cohn. Their insights enrich the text significantly.
- Q: How should I care for this book? A: To care for the book, keep it in a dry place away from direct sunlight. This will help preserve its quality over time.
- Q: Is this book safe for young readers? A: Yes, the book is generally safe for mature young readers. However, some essays may contain complex themes that require guidance.
- Q: What if my copy of 'Disciplining Music' arrives damaged? A: If your copy arrives damaged, you should contact the retailer for a replacement or refund. Most retailers have policies to address such issues.
- Q: What are the publication details for 'Disciplining Music'? A: This book is published by the University of Chicago Press. It reflects the scholarly rigor of this respected publisher.
- Q: Is this book part of a series? A: No, 'Disciplining Music' is not part of a series. It stands alone as a critical examination of musicology.
- Q: Can I find this book in libraries? A: Yes, 'Disciplining Music' is likely available in many academic and public libraries. It is a well-regarded title in music studies.
- Q: What makes this book unique in its field? A: The book is unique for its provocative essays that challenge traditional boundaries in musicology. It encourages readers to rethink music's role in society.