Title
Divisionism/NeoImpressionism: Arcadia & Anarchy,Used
Delivery time: 8-12 business days (International)
This beautifully designed exhibition catalogue explores the optically vibrant paintings of the late nineteenthcentury Italian Divisionists, examining, for the first time, their relationship to NeoImpressionism. Artists from both movements subscribed to a painting technique rooted in color theory; held leftwing political views; and pursued similar subject matterfrom idyllic landscapes to timely social problems. Arcadia and Anarchy underscores the Italian artists' autonomy from their European counterparts and highlights their importance in pioneering Modernism. Published to accompany the premiere of the exhibition at the Deutsche Guggenheim, Berlin, which was curated by Vivien Greene and will travel to the Guggenheim Museum, New York in the summer of 2007, this focused study of 40 key Divisionist works is the first of its kind to appear in the United States. Featuring work by Giovanni Segantini, Tho Van Rysselberghe, Albert DuboisPillet, Georges Seurat, Vittore Grubicy de Dragon, Maximilien Luce, Paul Signac, Emilio Longoni, Camille Pissarro, Angelo Morbelli, HenriEdmond Cross, Plino Nomellini, Charles Angrand, Giuseppe Pellizza da Volpedo, Giovanni Sottocornola, Jan Toorop and Gaetano Previati, it includes essays by Greene, as well as by noted scholars Giovanna Ginex, Dominique Lobstein and Aurora Scotti Tosini.
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We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of the exhibition catalogue 'Divisionism/Neo-Impressionism: Arcadia & Anarchy'? A: The catalogue explores the vibrant paintings of late nineteenth-century Italian Divisionists and their relationship to Neo-Impressionism, highlighting their unique contributions to Modernism.
- Q: Who is the author of this exhibition catalogue? A: The exhibition catalogue is authored by Vivien Greene.
- Q: What types of artworks are featured in the catalogue? A: The catalogue features 40 key Divisionist works by artists such as Giovanni Segantini, Georges Seurat, and Paul Signac, among others.
- Q: When was 'Divisionism/Neo-Impressionism: Arcadia & Anarchy' published? A: The catalogue was published on March 1, 2007.
- Q: What is the condition of the book? A: The book is categorized as 'Used Book in Good Condition'.
- Q: How many pages does this catalogue contain? A: The catalogue contains 144 pages.
- Q: What is the binding type of the book? A: The book is bound in hardcover.
- Q: Is there any specific subject matter covered in the catalogue? A: Yes, the catalogue covers a range of subjects including idyllic landscapes and social problems, reflecting the political views of the artists.
- Q: What is the significance of this exhibition catalogue? A: It is significant as the first focused study of Italian Divisionism to be published in the United States, underscoring the artists' autonomy and contributions to Modernism.
- Q: Are there any essays included in the catalogue? A: Yes, the catalogue includes essays by Vivien Greene and several noted scholars, providing further insights into the artworks and their historical context.